Rambo V: Last Boomer

In Which John Rambo Traps Blue-Haired Liberal Critics in His Tunnels and Hunts Them Down!

By Kyle B. Stiff

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I’m a big fan of Rambo, but I didn’t want to see Rambo: Last Blood. Being a product of Hollywood, I assumed it would be about John Rambo going on one last mission to help Mexican prisoners escape from Trump’s concentration camps while executing police officers and ICE agents in the name of diversity. I assumed the script would be written by James Gunn (the director of Guardians of the Galaxy) or one of his clones, and would include a lot of “witty banter” between “delightfully dysfunctional” social outcasts. I hate that stuff and I wanted to remember Rambo as he used to be, before Hollywood became the propoganda arm of a cult ten thousand times worse than Scientology. However… as soon as I heard that people were getting triggered over this movie, I had to see it for myself!

And, guess what – it’s beautiful!

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Rambo: Last Blood isn’t exactly a great movie, but it’s the very thing that we needed. It has a simple story, but the timing of its release, and its focus on narratives that liberals hate, is like a lighthouse beacon for the human spirit tossed in a storm of retardation that is destroying civilization (guess I’m taking the kid gloves off with the hyperbole here). I won’t spoil anything, but the basic gist of the movie is that John Rambo is living a quiet life dealing with the demons of his past (meaning: he got to commit a lot of based war crimes back in the day), he has a niece that he dearly loves, and she gets involved with Mexican gangsters – that is, human traffickers. If you’re liberal: Yikes. Fucking YIKES. “Uh, Yikes Department? I need to file a fucking claim, please! In fact my name is Karen and I need to speak to the manager about this shit!!!”

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Every liberal film critic hated this movie, but lots of normal people (that is, unindoctrinated people) liked or even loved it. Maybe this is obvious, but sometimes it’s good to state the obvious: The entire narrative of this movie simply cannot exist within the liberal narrative of how the world works. In the liberal world, there are no Mexican drug cartels or human traffickers. There are only disenfranchised people who were not properly served by society, and therefore they must I repeat MUST be allowed to come into America. Unfortunately they can’t, because our President (who is Literally Hortler) is enforcing regressive, archaic, outdated border security laws, and is even putting Mexicans into concentration camps, including Area 51. There may even be ovens and execution squads at these concentration camps, who knows?

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Since Hollywood is one hundred percent on board with this narrative, Rambo: Last Blood hits hard because it somehow came out of the very machine that’s been retooled to ONLY churn out stories that fit within a lefty narrative. Having rejected any sort of traditional religion, and yet still being human and thus requiring some kind of religion (or at the very least, a moral framework), Hollywood has chosen DIVERSITY. “Have you heard of diversity? It’s our strength!” Within that framework, a movie that shows Mexican gangsters keeping young sex slaves drugged and confined is downright blasphemous! It doesn’t matter that this movie also has good and heroic Mexican characters; no, within the extreme leftist narrative, you are not allowed to acknowledge that a Mexican is capable of immoral behavior. It would be like saying that diversity isn’t our strength – which it is, if you haven’t heard.

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Last Ride of the Boomers

It’s been said by those wiser than me that the zoomers will be our salvation, but Last Blood is kind of interesting in that it shows a boomer getting his shit together and squeezing out enough testosterone to mow down some bad guys just to help a defenseless girl, even rocking his boomer jams while he does it. In a world where right-wing guys are beyond sick of putting up with female troubles (some are even going MGTOW) and left-wing types praise women only when they act like men, it’s nice to see an old guy butcher some bad guys in the name of chivalry. One of the bad guys even says, “Only an old fuck would come back for some cut-up bitch.” It’s sweet and strikes a deep chord, especially among guys who have a protective instinct that they aren’t allowed to use. We can’t even compliment women or hold the door open for them, much less form militias and blast suspicious border-crossers to protect women who, let’s face it, never really understand how unbelievably dark the world can be.

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In some sense, the warrior mentality idolizes females even though (real talk) they don’t deserve idolization, but it’s kind of a “necessary lie” that holds civilization together. But civilization is falling apart. Rambo’s niece Gabriela was on her way to college where she was probably going to major in Socialist Gender Theory with a minor in Antifa Combat Tactics or “How to Hate Everything (Including Yourself)”. This beautiful young lady who loved her family and her Uncle Rambo would most likely come back home for the summer overweight, her hair either blue or shaved off, with a nose ring and a bunch of tattoos, leading some indoctrinated soyboy on a leash, and berating her Uncle Rambo for his  toxic masculinity. I’m trying to be spoiler-free here, so I’ll just say that whether Gabriela was going to *have a very bad time* with Mexican drug cartel animals or have her soul mutilated by left-wing cultists, she was fated to be sacrificed either way.

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There’s a lot about Last Blood that isn’t great, but its timely nature definitely takes it out of the “okay” category and makes it far greater than its otherwise plebeian nature might have warranted a few decades ago. The shots of Trump’s wall and Rambo’s improvised Mayan revenge ritual alone make it worth our time. In an era where every movie exists only for indoctrination purposes, I don’t know how this one slipped through.

This imperfect movie taps into our very real need to protect what we’ve worked so hard to build, because we’re powerless right now. Every day we see these cultists tearing down one institution after another. Despite what you might think, people aren’t dumb. They know society is falling apart, and they know it isn’t because traditional values, which have guided civilizations for thousands of years, are suddenly the cause of our downfall. Most people can’t articulate it, but they instinctively know that people with blue hair having emotional meltdowns because an election didn’t go their way is not normal. They know that there are certain things that seem to make crime rates skyrocket, and they don’t want their neighborhoods to become scary places where kids can’t run around and have fun, and they know the blue hairs and the professors and the obnoxious celebrities aren’t going to help. And these very loud weirdos aren’t trying to debate the merits of their ideas, either; they rely on shutting down dissent through censorship, and using emotional histrionics to control weak people and bludgeon strong people into submission. The meme “Are we the baddies?” definitely applies.

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I have to admit I got a kick out of Rambo’s creator being very vocal about how much he hated this movie. It’s one of those JK Rowling moments where the creator is desperately virtue signaling in order to remain relevant. JK Rowling is the most prominent representative of this pattern, which is especially amusing when you consider the “problematic” nature of her Gringotts goblins and the stereotype they represent. Whatever the case, I’m sure it’s tough when everyone you know is a lefty, and your entire reputation depends on how hard you virtue signal in public. I can’t imagine how miserable it must be!

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CONTROVERSIAL ENDING

Anyway, when the credits rolled, I hit the exit and unexpectedly met a three-man shooter team preparing to blast everyone in the theater. I’ve played a lot of Metal Gear Solid games so I was able to use my knowledge of stealth to hide and listen in on the black ops team.

I distinctly heard their commander say, “Remember – no Hebrew.”

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I feared the worst, but the attack was suddenly called off, and I followed the killers behind the theater. They had a mobile command center set up around some innocuously labeled vans, and I saw a drugged-up white kid sitting on the curb, his eyes glazed over from a pharmaceutical cocktail that enhanced his MK ULTRA training and his willingness to be a patsy in yet another “active shooter” incident.

I watched as the shooter team fell to one knee, bowing to a holographic image of George Soros in a black robe.

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“Master,” said one of the killers, “why must we stand down? If we want to disarm the American people, or at least convince them to disarm themselves, then you know we must have more shooter incidents!”

“Of course, my young padawan,” said Emperor Soros. “But our surveillance of the theater revealed that only ancient boomers are willing to go to a matinee showing of Rambo. Nobody cares about a bunch of white-haired old men!” Before the shooter team could break down into tears after losing the opportunity to shoot a bunch of people and blame it on a drugged up white kid, Emperor Soros smiled and licked his lips.

“Postpone the mission until JOKER!” he said, cackling like a cartoon-villain.

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I broke out into a cold sweat, dear reader, and I got the hell out of there. I’m looking forward to Joker, but I’m not looking forward to being shot, so hopefully we’ll have a few more false flag attacks and… er, that is, I mean I hope we have a few more actual shootings before Joker so we can all be disarmed before it hits theaters. That way we won’t end up in the inevitable situation that *everyone* is predicting!

I’ve always wanted to live my life as a disarmed slave anyway, and if Hollywood can help out with that, then I’m all for it!

 

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Joker: Why Wahmen Don’t Seem to Care

By Kyle B. Stiff

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I’m sure we’ll be disappointed in the end, but as it stands now, every young conservative guy is looking forward to Joker, and exactly zero females care. It’s one of those movies that seems like it embodies the spirit of our time, like a sign pointing out this feeling we have that something big is about to happen. The excitement we feel surrounding this movie is probably similar to the way a normie feels about Nintendo or Game of Thrones. Conservative males who are keeping an eye on the decline of civilization finally feel as if the Bluepill Factory that is Hollywood accidentally made something interesting.

But why is it only men who care? And even then, why only a certain kind of man?

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Men are dropping out of society. They’re committing suicide at record rates, they’re getting hooked on pain-killers, divorce rates are through the roof, the manual labor jobs are either going overseas or being taken by robots or undocumented aliens, college is no longer job training but advanced indoctrination, and yet mainstream media agrees that men are toxic, problematic, trolls, literal Nazis, or perhaps even worse liberal buzzwords. In fact, if a man complains about this situation, or even expresses some reservations about throwing away civilization in general, he risks losing his job. Who wants to employ a Nazi, right?

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From this perspective, a movie about a man who isn’t an alpha, but a regular guy beaten down by a world gone mad until he cracks and becomes something terrifying, is going to touch something in men that’s lain dormant for a long time. “Are you having any negative thoughts? All I have are negative thoughts.” For a gender whose specialty is pushing pain down where it can’t be seen, just so jobs can be kept and worlds can be turned, could a better quote ever be written?

Of course, all of that is from the perspective of men. But not even every man; certainly not the kind of man who vapes and streams Mario Party on Twitch and genuinely cares how Disney will wrap up the Star Wars saga. You know the type. Men who think “Desmond Is Amazing” is a sign that we’re progressing toward a Star Trek utopia rather than… well, the end.

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But what about women? From their perspective, Joker comes out of nowhere. It’s irrelevant at best, and dangerous at worst. Just think about the kinds of shows that women watch; can you think of anything appealing to women that has even a hint of what’s about to happen in our world? There aren’t any female talk shows warning women about Europe becoming a caliphate, or mocking California for becoming a third-world dump. Can you imagine feminist college classes warning women about the scary statistics concerning children raised by single moms? Yeah, right! Women get their news and their worldview from completely different media than conservative men, so as far as they know, we’re heading for a bright future. As soon as those crusty old men give up their positions as CEOs, women are going to fix everything! Right?

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The media that women consume tends to show women in a positive light, feeding into their resentment and amplifying their sense of being downtrodden. From their perspective, a movie about a man who snaps and puts on clown makeup is just creepy and weird, a non sequitur *seemingly* out of left field. They have no idea that the guys they refer to as trolls are the canaries in the coal mine, watching the world fall apart, putting the pieces together in a way that women really can’t, but we’re holding back because we’re afraid of the backlash.

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Anyway, what are the chances of some idiot shooting up a theater during a showing of Joker? How many Antifa degenerates are already cooking up something stupid? How many Feds are dressing up some poor guy whacked out on meds? Is anyone really going to be surprised when we get reports about a three or four-man shooter team killing people, and then all of a sudden the story changes and BAM! Mainstream media will be telling us the shooter was a white, right-wing extremist.

It wouldn’t be the first time, right?

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Godzilla’s Revenge: A Misunderstood Movie for Those With Enlarged IQ, Only Serious Brainiacs Need Apply

By Kyle B. Stiff

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Here’s a quick rundown on what may be the best Godzilla move of all time. It’s about a little boy who goes to Monster Island and meets Godzilla’s goofy-looking son, a creature with a battle cry that sounds like a donkey. They become friends while stock footage taken from other (better?) monster movies plays in the background. Most kaiju fans don’t take this one serious because it *seems* lighthearted, even silly. But, behold: Godzilla’s Revenge (also called All Monsters Attack) is the darkest Godzilla movie of them all.

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The movie opens with shots of an industrial wasteland.

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This is the urban jungle that formed Ichiro, our protagonist, a little boy growing up among steel girders and desolate parking lots with two parents constantly working and only a television to keep him company during dinner.

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We know right off the bat that Ichiro is not a cool kid as he explains to his little lady friend the sound that his imaginary monster friend makes. She is saved from his autistic cringe when a gang of bullies show up to assert dominance.

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This is life for Ichiro – being bullied in an urban hellscape with no one to protect him. It’s the opposite of the kaiju formula, where monsters who were made for endless war beat the shit out of each other throughout all eternity. Ichiro’s life is just a sad blip on the radar.

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The fact that Ichiro doesn’t wallow in sadness only makes his sad fate more apparent to the adult viewer (and more palatable to young viewers who just wanted to see some giant monsters fight each other).

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When Ichiro is alone, he dreams of being on Monster Island. He imagines that he is friends with Godzilla’s son, Minya (or Minilla), a sort of cute creature with a face that is nonetheless nightmare fuel. Minya is just as pathetic as Ichiro, though he puts on a brave face, simply stating that he has no friends so that there can be no confusion about his state. This may be more the result of Ichiro’s latent autism, in which his emotional disconnect with himself manifests in imaginary friends stating matter-of-factly that they are alone and without friends but not making a big deal of it.

 

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Minya is bullied by a monster called Gabara, a giant lizard with a cat’s head and wild orange hair. Gabara looks stupid and thus he’s a real shit, just the sort of thing that would be dreamed up by a young boy sorting through his own problems.

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In fact, it’s important to note that even though Ichiro retreats into a fantasy world to get away from life’s difficulties, I think it’s a psychologically healthy fantasy world. It doesn’t cater to his desires but presents him with the hard truths about life in a way that a young boy can understand. He doesn’t daydream about a world where everyone is nice to each other and nothing can hurt him. He knows that’s impossible. He knows the world favors the strong, and he wants to be strong, even though he’s scared.

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In his fantasy world, Godzilla doesn’t cut Minya any slack. One might make the mistake of thinking that being the son of the most powerful monster would guarantee you an easy life, but Godzilla didn’t become the most powerful by being soft. Godzilla doesn’t have time for Minya’s tears, and when Minya desperately seeks his help against his bully, his father pushes him back toward Gabara. On Monster Island, there is no room for weakness! In fact, I think the title All Monsters Attack isn’t necessarily an order, but a statement that this is what monsters do: They attack. We do the same. It’s how we survive!

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The funny thing is that once Minya gives the fight everything he has, Godzilla actually does help him when things get really hairy. When Minya embarrasses Gabara and Gabara loses his cool, Godzilla comes in, throws Gabara around, whips him with his tail, beats his face in, squats and shits on him, you name it. There’s a life lesson in there: No one will help you until you help yourself. Problems seem insurmountable but you still have to give it some effort, but once you do, help will arrive.

Or it won’t, and you’ll die.

Either way, it’s better than living in fear like a coward!

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In the end, Ichiro’s fantasies about Godzilla and Minya and the Monster Island lifestyle inspire him to fight to survive a pretty harrowing real-life situation in which some bank robbers kidnap him and even consider killing him. It’s a rough situation, no doubt traumatizing for someone as sensitive as Ichiro. It’s a grim reminder of the world he lives in, a mean urban toilet bowl where a grown man will pull a knife on you if you get between him and a bag of money. But in surviving, Ichiro gains perspective. When his bullies try to torment him the next day, he doesn’t even consider backing down. He already knows true pain, so he has nothing to fear, even against opponents bigger than him. He fights! He even beats the alpha who leads the bullies!

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But here’s the thing. When Ichiro wins the fight, does he force the bullies to give up their cruel ways? Does he make them slink off in shame so they can contemplate their misdeeds? Hell no – he becomes their leader!

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And his first act is to terrorize a painter working on an advertising billboard. The man falls over, covered in paint, and as Ichiro and his crew laugh at the man’s plight and run away, it is simply a continuation of the will to survive and fight and persist in a cruel world. Such is life on Monster Island, also known as planet Earth!

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It’s this point that deeply troubles many viewers, especially some guy on YouTube that spazzed out about this movie. The guy on YouTube said this movie’s morals are indefensible, that this movie is horrendous because it depicts kids saying hell and damn, and he hates the idea of bullied kids turning into bullies themselves. He thinks it’s an awful movie for kids to watch. I’m sure he’s one of those guys who thinks that children should only watch pleasant things, and should be taught that kindness means everything, and that discomfort must be avoided at all costs.

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Does that sound nice? It shouldn’t – those are the values that turn people into livestock! Life is cruel and the suffering only ends with death (and maybe not even then). Avoiding pain doesn’t lead to pleasure, but to weakness and further suffering. Once we grasp that simple fact, what better lesson could a parent give than to teach their children how to fight and survive, even if it means hurting them?

Hello, Illuminati! Can I Please Watch a Godzilla Movie Without Your Dumb Ideas in It? Thank You!

By Kyle B. Stiff

“Sure would be nice to watch a movie that isn’t full of Illuminati symbolism!” This is what I said to myself when I rented Godzilla: King of the Monsters. Considering the fact that it’s a big budget Hollywood movie made in an era when the war of ideas is just a few false flag attacks away from turning into an actual civil war, I should have known I wouldn’t be able to retreat into fantasy without the elites giving the ol’ “let’s indoctrinate Kyle” idea at least one more try.

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Even though the unnameable “powers that be” seem to be losing their grip on the world, let’s go through their latest pet project in the interest of keeping tabs on them, shall we? Also, please note that I will be referring to them as the “Illuminati” just because it’s a popular term. They don’t really call themselves that, of course. Also please keep in mind that despite dozens of other blog pieces about this very same thing, the LAST thing I want to be doing is documenting still more Illuminati influence in popular culture. These people are self-important degenerates, their ideas are stale and don’t work in the real world, at this point even low IQ normies are starting to catch on to this demon-worshipping blackmail cult, and truth be told I’m sick of them and sick of noticing how they ruin what could be great projects. There are a lot of awesome fight scenes in Godzilla: King of the Monsters, and some interesting takes on the various monsters, plus I fell in love with Mothra, so there’s hope for Hollywood yet. That is, there’s hope as long as the Illuminati keep losing ground. I’m looking forward to an age when we won’t have to deal with these weird freakshows trying to influence every single movie and music video!

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In older Godzilla movies, Godzilla often fought monsters who really had it in for us. So even though nobody in the movies really liked Godzilla, protagonists were forced to accept that at least he could occasionally defend us from worse monsters. Times being what they are, when evil is good but stupid is even better, Godzilla: King of the Monsters is full of characters who worship Godzilla (or other monsters) and want humanity to be wiped out, or at least drastically reduced in number. And I’m not just talking about the bad guys!

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Population reduction is a huge tip-off that this is an Illuminati production, as that’s become one of their core ideals. If you’ve ever wondered why so many stories seem to revolve around “humans bad, nature good,” it’s because the religion of the Illuminati is based on hatred toward humans. Their upbringing includes some pretty intense abuse, so their hatred of humans may be understandable. They’re obsessed with the idea that human beings are a “virus” and that the earth is sick of us. Once you spot this philosophy in movies, you’ll start noticing it more and more often. If you’re not the kind of person who is easily indoctrinated, it can be really annoying seeing such a dumb idea pushed as if it’s common sense!

In fact, if you’re shaking your head as you read this, and you’re thinking, “Oh my God we MUST reduce human population!” then congratulations! Your bitchass has been indoctrinated!

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The Asian lady on the science team helps frame this idea from a mythological perspective: In western civilization, we slay dragons, but in eastern civilization, they worship them. The idea is framed in such a way that we are struck by the wisdom of the Orient, and feel a knee-jerk response of “aw shucks, we always got it all backwards!” Thing is, we don’t have it backwards, as an entire planet full of failed states once looked to the West for inspiration regarding ideas that help nations thrive. Ideologically speaking, dragons, and in fact all monsters, must be slain in service to humanity. This scene, in which our main protagonist finds out that the Asian lady on his team is a monster-worshipping nutjob, should have been creepy and disconcerting. The fact that she outs herself as an indoctrinated psychopath and nobody throws her off the ship tells us a lot about the kind of people putting this movie together.

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Now that I think about it, there was not just one monster-worshipping Asian in this movie, but two. Doctor Serizawa was a lizard-worshipping weirdo who wanted to die for the entire duration of the film. Like a man-made messiah he had a look of stoic resignation, no doubt horrified by so many years of being forced to live alongside “awful” humans when all he wanted to do was die in service to Godzilla. While watching the awkward scene in which he was finally able to sacrifice himself so that Godzilla could live, I could hear the emotional intensity of the music, so I understood that I was supposed to care, but I didn’t. This guy was a middle-aged doctor, so I’m assuming he taught at a university and had spent decades making kids feel guilty for being human. I used to deal with guys like him in the philosophy department all the time. It’s like, okay Guy, I get it, Communism didn’t work out – now you either need to get over it or hang yourself, and put us both out of your misery!

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Doctor Serizawa says, “Godzilla is the key to coexistence being possible.” In terms of the movie’s story, he says this because he believes that Godzilla can keep all the other monsters in check. But in terms of the Illuminati turning this movie into one of their brain-washing projects, I can’t help but think that this has to do with the weird “diversity” programming that these cultists are obsessed with. They can’t just let nations exist as they are, and let each ethnic group interact (or not interact) however they want. It bothers them to no end. Since these Illuminati cultists worship reptilians (among other weird shit), I think this idea of Godzilla being the key to coexistence is about the gods or spirits that the Illuminati worship as the key to human coexistence. This is completely wrong, of course, because we know from history that every pagan god demands human sacrifice at some point, and pagan societies are no more peaceful than any other. But, still, it’s interesting to see them play their hand concerning their reptilian-enforced diversity religion. Nobody wants diversity except these weirdos who live in gated communities, in fact diversity inevitably leads to conflict, but still, the Illuminati’s reptilian demon-gods demand it, thus “diversity is our strength” I guess!

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The name of the science team our protagonist joins is called Monarch. This is a reference to a type of MK ULTRA mind control programming. It’s blatant. If you don’t see it, or somehow haven’t noticed this in a billion movies and music videos, then don’t worry about it – you never will! I’ve been seeing this stuff for decades; it’s obvious that these people are proud of their ability to turn a human being into a mind-controlled automaton. Which is funny, when you think about it, because there are limitless ways to ruin a person’s mind and turn them into a shadow of what they could have been, but it’s incredibly difficult to turn a person into the highest and best version of themselves. In fact, we don’t even know of one sure-fire method of doing the latter. So why oh WHY are these weirdos who so desperately want to control us so freaking obsessed with their ability to ruin a human being by turning them into a “useful idiot”?

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One scene shows a recording of a happy family having fun while dressed up as bears. This is going to be a stretch, but there’s a wild theory that Bill Cooper of Behold a Pale Horse fame was not just a conspiracy theorist, but the descendant of some kind of noble family line important to the Illuminati; the person pushing this theory happened to notice that Bill Cooper throws around an inordinate amount of “bear” references in the introduction to Behold a Pale Horse, as well as a few other things. It’s an interesting theory, but ultimately, who cares? The era of conspiracy theory in which we had to decode Illuminati symbolism in order to figure them out and track their movements is at an end. We already know what they believe in, and besides, they’ve become blatant in their broadcasting. Now we just keep tabs on them. These people have contributed shockingly little to the human story, and nobody cares about Illuminati bloodlines except for indoctrinated Illuminati cultists. So there’s no need to dwell on the bear symbolism; let’s just note that it’s there and move on.

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However, it is interesting to note that the mother in that happy scene later became a dried-up, unhappy, career-oriented woman who not only destroyed her own family, but also wanted to destroy the entire world by joining a bunch of lefty eco-terrorists. It’s a surprisingly based take on the failed mother archetype when, taken together with all the other Illuminati ideals, you’d think she would be the star and savior of humanity! In the end, she did end up sacrificing herself (the Illuminati obsession with mimicking the Christ mythos) and even said, “Hail the king” (or something like that). Is this an admission that feminazi ideals serve the reptilian overlords?

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There’s an occasional glimpse of Christian symbolism that juxtaposes oddly with the Illuminati reptilian-worship diversity-cult symbolism. When King Ghidorah ascends to the “throne” of a volcano and roars in triumph, a Christian cross is shown in the city below. It’s prominent enough to let the viewer know that King Ghidorah stands opposed to the Christian ideals of the common man. This shot would make perfect sense if Hollywood wasn’t controlled by dual-citizenship types who hate the country they live in and despise Christian values, so I’m not quite sure what it’s doing in an Illuminati movie like this one. Maybe it’s just a statement that the reptilians stand opposed to the creator of the universe beloved by much of mankind?

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There’s also a bit of Christian symbolism when Godzilla falls to the earth. This is a direct reference to the Book of Revelation, when Michael casts the dragon, or Satan, out of heaven with a third of his angels. They fall to the earth like falling stars. Of course, both King Ghidorah and Godzilla are stand-ins for reptilians, so this may be indicative of reptilian in-fighting rather than an assertion that King Ghidorah is some kind of angel. Ultimately, they’re all demons.

In fact, the 2014 Godzilla movie made it clear that the monsters were demons. There was no Illuminati symbolism in that movie (at least, none that I could see, and these people are usually pretty blatant about this stuff). Seeing the monsters fight in the 2014 Godzilla movie was like watching demons locked in eternal combat in hell, a nightmarish glimpse of burning black pits where no human would ever want to go. It was intense and made the soldiers’ HALO jump that much more heroic.

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There’s another piece of symbolism that makes me wonder if maybe the creators of this film are not one hundred percent on board with the failing Illuminati agenda. It’s subtle, but it’s there. Right before the final battle, there’s a burst of wind, and it causes an American flag to stand at attention. God is often symbolized as wind, as He gives the “breath of life” to living things. Instead of the Illuminati asserting that nation-states are stupid and outdated, as they tend to constantly remind us, here we see a symbol of America being reawakened by the breath of God. Is this an admission that the Illuminati know they’re in trouble?

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Actually, it could be a strong indicator that much of this movie is the product of an oracle who isn’t necessarily loyal to Christian or Illuminati ideals. I think lots of creative types are oracles. I see this in my own stories, where a supposedly simple “good guys versus bad monsters” story will end up having unexpected prophetic bits in it. This happens in fiction fairly often. It’s not that these stories can predict the future and help us avoid bad outcomes, they’re just snapshots of an aether full of swirling images projected from a higher realm that we can’t really understand. It’s been said by people wiser than me: The creative mind is something we don’t understand, and yet everything we have comes from creativity.

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Anyway, I’ll close with a palette cleanser. Mothra stole the show. I think I love her! She’s beautiful and graceful, and has a “heavenly” presence that made me choke up a little bit. What a shocking contrast with the aura of infernal rage of the other monsters! She’s a bad biddy and can’t be manipulated by King Ghidorah’s “fake alpha” call that tricks the other monsters. She’s noticeably smaller than the other monsters, too, and delicate, but she’s got plenty of tricks and sass that she uses in battle, and (SPOILER) she even sticks by her man to the bitter end – a rare quality in this era of abandoned families and societal breakdown!

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I vaguely remember seeing Mothra in the Godzilla movies of my youth, but I was never that into her. I always liked the BDSM Hellraiser-tier monsters like Gigan. But now that I’m older and my T-levels are dropping, I can’t get over that cutie Mothra! As my sanity weakens and I continue rambling on about reptilians and the Illuminati, I’ll probably snap and start dressing like one of the girls who used to sing to Mothra and summon her in the older movies. You’ll be able to find me at random bus stops in my colorful attire, singing and dancing as I desperately try to summon a giant moth who can save us all.