Hideo Kojima Saves America with Bluepills in Death Stranding

Part 1

By Kyle B. Stiff

The world is a battlefield between rival ideologies and occult groups. As I watch movies and play games and break down their hidden meaning, I can usually depend on Japanese stories to be free of what we call “Illuminati” symbolism, whereas Hollywood movies push the symbolism so hard that it’s kind of a joke at this point. But Death Stranding is an interesting case because left-leaning Illuminati ideology is on full display.

maxresdefault (2)

This will be a relatively spoiler-free breakdown that only covers the first half of the game. Please note that despite giving him a hard time, I am a huge fan of Hideo Kojima. Like a lot of artists who naturally pick up on cultural vibes, he’s allowed liberal indoctrination to slip through his AT Field and infect his brain. This doesn’t keep him from being an amazing entertainer, nor does it prevent Death Stranding from being a great and interesting game, but we have a duty to point out cringe when we see it.

I’m sure we can all agree that testosterone is a divine hormonal matrix that only some of us are blessed to wield. It grants the wielder the power to tell a story fearlessly, rather than doubt oneself endlessly until death comes to silence our fears. From the beginning of Death Stranding one can’t help but notice that Kojima is getting older and his testosterone levels are dropping. His Metal Gear Solid series had military dudes, bombastic soundtracks, bouncing tits, button-mashing during torture scenes, guys shitting themselves and getting stuffed into porta Johns, “Nanomachines, son!”, child soldiers committing based war crimes, babies born on the battlefield, and so on. Death Stranding tones it down a notch with sedate music and the idea that if somebody gets killed (or even dies), it results in a voidout that can destroy an entire city.

ds_01_20_1559145618

Rather than a proper end for a wild ride, death is seen as a disaster, which is an opinion free of testosterone. Remember, being smart and avoiding danger may seem very clever, but in the end it can only get you in a nursing home, lying in bed trying to put together the pieces of an identity that is beyond repair. It is a fate fit only for bugmen.

Ah, but we were talking about the lefty perspective in Death Stranding, weren’t we? Let’s move on to characters!

 

President Bridget is Hillary Clinton

death-stranding-bridget-screenshot

Sam’s mother represents – of course – none other than Hillary Clinton. Not as a bug-eyed psychopath and queen of cringe, of course, but as the warm, empathic, and divine feminine Mother Goddess that liberals see her as. Her name, Bridget, signifies that she builds bridges, not walls, which is either inspirational or cringe depending on your perspective. Sam’s first mission, a very poignant slog in which he must carry his mother’s corpse to an incinerator, is reminiscent of the absolute dark night of the soul felt by liberals at having to bury the dream of Hillary as President. I’m trying to be diplomatic so I won’t comment on what the rain in this mission represents. Bridget (and Hillary) were supposed to put America back together again, and the people scrambling to keep her alive, and then cover up her death, represent the mainstream media going into overdrive spinning a narrative to galvanize the populace.

death-stranding-plot-story-bridget

 

Die-Hardman is Barack Obama

death-stranding-die-hardman-1200x900

The way this guy looks and carries himself is a great indicator of how liberals see Obama. Rather than the stuttering dufus who needed a teleprompter to speak to school children, or a low-T Indonesian married to a linebacker packing some serious cucumber, here we see Obama as a barrel-chested alpha who runs the UCA after Bridget’s unfortunate passing. As in real life, this guy just won’t go away. Also note that in his mask, Die-Hardman looks a lot like this alleged pic of Obama dressed as some kind of goofy Illuminati demon:

D_nsABKX4AA0Nmz

 

Sam Bridges is an Everyman Boomer DOOMer

960x0

Everyone living in the ruins of America is stuck isolated in bunkers, unable to connect with one another in person but addicted to texting page after page of nonsense for the player to trudge through, but Sam is a boomer who can get things done. If he was born in our era, he would mow the lawn at six in the morning, request seating in a restaurant, and pay off his kids’ credit card bills. He gets things done as only old people can.

download (1)

However, Sam lives in his own era, which means he’s contracted the same fatal autism that everyone else suffers. He’s afraid of physical contact, he has trouble communicating, and he even collects action figures. He wants to abandon the old world but he’s literally chained to his job. When Sam is given a BB (“baby”) and it starts having flashbacks to its real father, we get the sense that Sam is in an extremely bluepilled “my wife’s son” type of situation; however, Sam does have some old school backbone, because he’s the only man in the UCA who protests aborting the baby. He knows the baby is more than just equipment – or more than a clump of cells, as they say in our era.

49512319_582138758895421_2508971889750179840_n (1)

Now, don’t get me wrong about this bluepill stuff. I’m not saying that Kojima is a lefty NPC relentlessly pushing whatever Hollywood says must be pushed. Obviously he’s not, or his games would be unplayable. But as an artist, as a creative type, his brain is an antenna made for picking up on the cultural zeitgeist and then remixing it through the prism of his own unique self. All artists do this. Kojima was called to tell a story about the conflict happening in America right now, and since that conflict is so complicated, we are forced to pick sides so we can take narrative shortcuts. There’s nothing wrong with this; we have to be able to identify friend or foe at a glance, and that’s why our current conflict can be broken down into Redhats versus Bluehairs.

Unfortunately Kojima leans left in Death Stranding, which can be off-putting when gamers are in the mood for a heroic tale about a man slaying the enemies of America in a ritual of purification and reunion. Even though Kojima has revolutionized package handling gameplay just like he did stealth gameplay, a lot of gamers have been underwhelmed. And I can see why: Gaming is inherently redpilled and right wing. You can’t slay monsters and save the princess by bending over for them, otherwise you end up with something like Undertale – a sappy, sentimental mess with a notoriously toxic fan base. Considering its goofy level of pacifism, Death Stranding is dangerously close to crossing into territory where the unindoctrinated cannot go.

jericho-confirmed-boomer_o_7248844

But as I said earlier, protagonist Sam Bridges is not a total lefty strung out on mood enhancing drugs. Kojima makes an effort to turn Sam into a Christlike figure, whose blood is redemptive and capable of cleansing the nation. Just as Jesus Christ was able to drive out demons and unclean spirits, Sam’s blood can be used in an alchemical process to kill or drive off BTs, which are the spirits of the dead. (I may be wrong on BTs being ghosts since I haven’t finished the game yet.)

This is of course the heretical idea that people can save themselves. One NPC even explicitly says that he doesn’t believe in grace or miracles – only people. Which is like saying you believe in books but not authors. It’s peak liberal enlightenment. The only way to make it more liberal would be to have a drag queen telling it to a child during government-mandated storytime. Another NPC in a long, rambling email even calls Sam the Great Deliverer. It’s a throwaway line, but it makes sense for a materialist bugman to see the Amazon delivery guy as a messiah. I’m hoping that later on in the game we will be introduced to some characters who challenge Sam’s role as the Mail Messiah the same way the AI in MGS2 challenged Raiden’s belief that he was a real person rather than a mere video game character.

images

 

Fragile Is Every “Basic Bitch” Liberal Wahmen

Unidentified_Fragile_Express_woman

Mainstream media is pushing bug-eating to the point where it’s become a meme. In order to get you eating bugs and living in a pod, they have to make it seem cool and futuristic rather than dystopian. Remember, as long as you have guns, they can’t make you do anything you don’t want to do. Once you demand that your own guns be taken away, then, of course, they can do anything they want to you. But the first few times Fragile meets Sam, she constantly forces bugs on him. She can’t stand to see a man not eating bugs like some kind of scavenging vermin! We’ve gone from MGS5’s alpha supreme Kazuhira Miller selling burgers pumped full of based chemicals to Sam eating maggots that turn him into a hormonally deficient pod-dwelling urbanite sipping Starbucks and hashtagging about Orange Man Bad!

190909_deathstranding_youtube

Fragile’s interview sums up the liberal mindset. I’ll print the entire paragraph because it has several eye-rolling moments…

“We once had a network spanning the whole wide world that could send items from anywhere to anywhere, and connect anyone with anything. But still we were isolated – still we were alone. Some liked it that way, and even wanted more. They wanted walls along their borders, wanted to turn away refugees and outsiders.”

Not only does the email accidentally acknowledge that connecting online does nothing to alleviate loneliness, there’s also the cringe misunderstanding that enforcing basic border control policy and protecting the people within a nation is somehow a moral outrage. In fact her interview kind of reminds me of a celebrity tweet, like Alyssa Milano crying to let her followers know they are supposed to get angry because the nation they live in hasn’t collapsed on schedule. Also the idea that letting in the third-world will somehow end our loneliness is a really low IQ take, since the American experiment has shown that ethnic groups tend to form impenetrable enclaves rather than interact in any meaningful way.

ds_10_20_1559145612

One more thing about Fragile and her female nature. Not only is her superpower instantaneous travel (what woman wouldn’t kill for that ability?), but… and this is a SPOILER (until the end of the paragraph)… she is forced to run through a timefall mostly naked, so her body is unnaturally aged. MGTOW types who are beyond sick of women often talk about the Wall. Not Trump’s Wall, mind you, but the concept of the Wall is that when a woman’s beauty fades, her power comes to an end. It’s incredibly sad and is far beyond what your typical bluepilled lefty can handle. They desperately want to believe that beauty is a state of mind available to everyone rather than a genetic lottery win given only to a few. The truth is that not having it is a drag and losing it is devastating. Not gonna lie, I cried during that scene!

I’m looking forward to learning more about Higgs, the man who forced this fate on Fragile. Is he evil, or just a bitter incel who wanted to permanently end Fragile’s Instagram career?

death_stranding_screen_07_ps4_us_28may19

 

The BTs: Reconnecting with History Is Terrifying to the Bluepilled

The BTs are a surprisingly conservative threat. From my perspective as someone who hasn’t finished Death Stranding, I can only say what I currently know about BTs, but they seem to be the spirits of the dead interacting with the living. Interestingly enough, for a game about making connections and breaking down borders, the main enemy, BTs, are border-crossers who are so dangerous that America cannot exist as long as they exist. You have to choose one or the other: Get the United Cities of America up and running, or keep importing BTs. You can’t have both.

The symbolism is so obvious, they may as well be wearing sombreros and trafficking guns, drugs, and sex slaves!

361573

It’s also interesting to note that the arrival of BTs is marked by a reverse rainbow. It’s very telling that Kojima uses the “woke” symbol of public CBT parades and drag queen storytime to let the player know they are approaching a gateway to the world of death. I feel like the fact that blue is missing from the rainbow has something to do with Democrats losing control of their own ride down the slippery slope.

Could Kojima be channeling the reversal of the rainbow as America’s slide into a sexual free-for-all continues? Remember, this happened before, in Weimar Germany, where you could pay to experience any and every sexual kink – even stuff that we would consider progressive now. The grasping hands of the BTs become even more frightening when you consider that they might have in mind something far worse than killing you!

Unidentified_red-dressed_woman

There’s something for liberals to fear about BTs, too. Being dead, the BTs represent spirits of the past – dark spirits from dark times. Looking back at history is one of the great fears of the modern enlightened liberal. History is non-utopian, thus they can only view it through the lens of complete indoctrination, which says that all history is BAD. Taking a nuanced look at various groups of people trying to survive under conditions that were not ideal is not the strong suit of liberals. Just think of how many liberals (especially women) you have heard say they’re afraid to look into their family tree because they might find Nazis or KKK members – the ultimate boogeymen of children raised on Hollywood movies!

That also makes chirality in general a very shocking idea in such a bluepilled story. Once the United Cities of America is reconnected, theoretically anything from the past could be 3D-printed. That means that the key to saving America (and the world) lies in reconnecting with history. From a liberal perspective, this makes absolutely no sense. Why would you want to reconnect with something that wasn’t progressive and isn’t the current year? But from a conservative standpoint, it makes total sense: You have to reconnect to a time that made sense, to a time when we knew what worked, in order to have a solid foundation on which to build the future.

Bridget

 

Stranded from the Almighty

In the world of Death Stranding, much like our own, communities have broken down and people live in isolation. They are addicted to mood-enhancing drugs just like we are. People are no longer hormonally capable of creating something as simple as oxytocin, a “cuddling hormone” used for social bonding, and must take a synthetic version. Because zoomers did not heed the wisdom of boomers regarding “cell phone bad” most people can only interact through “chiralgrams” or holographic facetime vids. Every NPC seems bland and lifeless until you walk away, then they bombard you with texts littered with emojis.

Kojima’s depiction of humanity gone insane is surprisingly subtle given his track record of over-the-top characters. When you consider games like BioShock where everyone infected by the Hot Topic virus becomes a juggalo clown from the dark carnival, or Badlands where cringe behavior is considered the norm, a story about people becoming asexual genderless freaks afraid to form bonds with one another and are no longer breeding is surprisingly and subtly redpilled. If Death Stranding showed unlimited immigration and ethnic groups forming uncommunicative enclaves and a “hatespeech” police force cracking down on people who point out the obvious, we could even say that Death Stranding is the redpilled game of 2019, especially since Doom Eternal’s release date has been pushed to 2020.

death-stranding-review-2

Or not. Death Stranding is incredibly interesting but it is definitely not redpilled. It’s about connecting people, but broken people who connect with other broken people only find ruin and regret. This may seem odd to the modern gamer, a technophile with an unexamined love of science and who seriously believes they have outgrown the need for ritual and tradition and the rough traits that turned their ancestors into survivors rather than bugmen, but anyone who drifts so far from their own creator that they believe they were created by accident will of course end up on mood-altering medication. Mental illness is the inevitable result of distance from the mysterious force that sustains us. To the modern gamer who collects Star Wars figurines and anime memorabilia much like a Death Stranding MULE collects packages while “jacked up on a cargo high”, the drift into darkness and depression is subtle and seemingly inevitable. There is of course the sustaining belief that if we can just make it through the darkness of Kali Yuga we will eventually arrive at a utopian Star Trek future, but oddly enough, this belief is more fervent and unconscious than anything practiced in a seemingly-backward traditional community.

Death-Stranding

More to come! As I continue my journey through the game, I’m hoping Higgs and Cliff Unger will give me more of a right-wing take on Death Stranding. I’m really looking forward to reaching the west coast and meeting what they call “crazy men” or homo demens. Leave it to Kojima to have “gay demons” waiting for the player in California!