I Was Shot to Death While Watching JOKER! 10/10 Would Get Shot Again

By Kyle B. Stiff

What Black Panther is to African Americans, what Captain Marvel is to feminists who don’t watch superhero movies, what Thanos is to normies, Joker is to us… gamers? I mean Nazis. I mean incels. Or whatever the label is… let’s just say it’s the people who know civilization isn’t dying, it’s being murdered.

And we know who’s doing the killing!

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Mainstream media has been warning us about Joker, and for good reason: It gives voice to people who are sick of the degeneration of civilization. It’s been obvious for a long time that Hollywood is a cult, and it’s their job to present a gospel of life improving through lefty values and diversity indoctrination. That’s their job. They want us watching Captain Marvel and Disney Star Wars, not Joker, and they’re willing to push the idea that incels will shoot up a theater full of incels (huh?) to get their way. Of course, we all know what’s going on. We know civilization isn’t collapsing because the traditional values that have guided nations for thousands of years suddenly went past the sell-by date and now we have to make a frantic switch to atheist feminist Communism or else the world will burn up.

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But before you get too excited about Joker – and it is worth getting excited about – let’s get one thing straight: It’s not conservative or right-wing or trad or anything like that. It’s not even what Blade Runner 2049 was for us (a story about the Last White Guy doing his job and being hated while the world falls apart). While the creative minds behind Joker were definitely tapping into the collapse and the outrage we feel, that collapse and that outrage are still shown from a deeply left-leaning perspective. Remember, Thomas Wayne is rich and says insensitive things about the poor, Joker requires “free” mental health counseling, and the rioters carry signs that say RESIST, which is the battle cry of the Anti-Drumpf Orange Man Bad NPC Elite.

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In fact, Joker kind of reminded me of Back to the Future 2. Remember how that movie strangely predicted Trump’s presidency, as well as his ability to travel through time? Through the character of Biff Tannen, the makers of Back to the Future 2 clearly knew what was coming. However, instead of seeing it as an interesting cultural event and an opportunity to prune back the weeds of liberalism spreading through college indoctrination and Hollywood propaganda, the makers of that film saw it as a dystopian hellscape where white biker gangs roamed the streets shooting at teachers without any clear reason. Really, go back and look at that movie. It’s never explained exactly why the future is so dark, why white people have suddenly turned into violent savages – they just kind of did, and somehow it was Biff Tannen’s fault!

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So it’s a case of the oracle receiving a message from the gods, but the message is fractured by the unfortunate retardation of the human medium. While Joker is undeniably appealing to conservative men who feel impotent in the face of societal collapse, Joker is actually a snapshot of a liberal man lost in a sea of raging emotions and without any sort of rational compass that he can use to get a reality check. While we each retreat within our opposing bubbles, Joker is kind of an unexpected re-acquaintance with the lefty mindset. The fact that conservative men can relate just shows how tolerant and empathetic they are – imagine that!

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Remember, this movie was made by someone in Hollywood, not outside of it. Without doing any research, I’m going to go out on a limb (but not really) and say the director is a lefty, probably Jewish, and he thinks President Trump speaks a coded language that “dog whistles” (love that goofy term) secret messages to white nationalists and Russian handlers. I promise I will not even take the ten seconds required for a Google search to see if I’m right or not – I mean, do I need to at this point?

Anyway, the point is that this story is going to have a lefty slant to it, so I think Joker is a great example of what a liberal male would do if he was in the same position that a lot of white, conservative males are in. Unlike Officer K who kept going to work and pushed his emotions deep, deep down, Joker lashes out with unrestrained emotion. This dude even climbs into his… but I won’t spoil it! But god damn, guys – he really climbed in that thing, didn’t he?!

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The way Joker got a gun is a perfect example of this story coming from a liberal perspective. This paragraph will be a little spoilery, sorry. But Joker essentially has a gun forced on him by an alpha male who calls the ethnic kids who beat him “savages”. This is a liberal nightmare in technicolor – they don’t see gun rights as something that a person can choose to opt out of, because they don’t really understand choice. Sorry guys, but it’s true. The idea that a white bully would force someone to take a gun is top shelf liberalism, it’s something only they could imagine. It’s the same way you and your buddy don’t hold each others’ dicks while taking a piss. Your unit is yours, and his is his. But liberals tend not to believe in free will, and they think people can be converted to bad ideas without effort. That’s why they’re so big on censorship, banning, and deplatforming. That’s not a critique, that’s just the way it is.

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The fact that right off the bat we are shown that Joker is mentally ill favors my hypothesis. It’s kind of a meme at this point, but as long as you don’t get in a liberal’s face and accuse them of being mentally ill, they will readily discuss their collection of mental illnesses. Most of them are quite open about whatever it is they happen to have, whether it’s depression or anxiety or Asperger’s or ADHD or gender dysphoria or whatever. Most conservatives don’t get excited about having a mental illness, they don’t think it’s cool or interesting, in fact they tend to see it as something that should be overcome rather than something that adds spice and flavor to personality.

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Another great example of the liberal perspective is the bullies on the train – the business suit-wearing alpha males. This scene struck me as a little unrealistic, but I think it really shines a light on the liberal perspective. Years ago I lived in DC and I used the metro all the time. I was comically impoverished back then, and everything I wore was donated or bought from a thrift store. I saw lots of upwardly mobile suited types on the metro, and they never gave me any trouble. In fact, they ignored me, because they were interested in their own lives, which is understandable. The only trouble I ever got was from… well, how do I say it without getting in trouble? We’ll say “urban youths”. We all know this is how it is, but I think the liberal pain in this scene is very real. They feel a kind of visceral rejection by the world of business suit-wearing alphas, and they imagine that yacht-riding CEOs like Tai Lopez or Dan Bilzerian are laughing at them, secretly mocking them because they aren’t a part of the ultra elite .00001 percent. I used to assume that we were all laughing at elites, but these days I’m finding out that most of you guys are grinding your teeth at them, masking your envy with disdain.

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This paragraph is going to be somewhat spoilery (sorry). But just look at how badly Joker wants Thomas Wayne to be his father once he realizes the possibility is there. This whole situation makes me wonder if the basic liberal mindset is one formed by paternal neglect. We’ve all seen their irrational hatred for President Trump, a primal revulsion so over-the-top and so continual that we know it doesn’t come from rational disagreement on policies – in fact, Trump virtue signals liberal values with the best of liberals, and has done so for decades. We kind of suspect that the hatred comes from some kind of *intense* childhood trauma, because we can’t think of anything else that works on such a deep level. This makes the scene where Joker reads his mother’s file so powerfully moving (spoiler coming up, spoiler spoiler). He was a nobody, from nothing, with no father, abandoned by his mom and abused by strange men. Not going to lie, I cried!

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Of course, that makes me wonder if lefty extremists just feel unloved in general, not only abandoned by parents but perhaps abandoned by something even more profound. Maybe even abandoned by God. Do their bitchasses just need to go to church? They certainly have a visceral hatred for one religion in particular, the same one villified in Hollywood movies and on Netflix. When was the last time you heard a lefty complain about Islam or Judaism?

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I loved Joker, but of course it was always a stretch to hope that this movie would perfectly snapshot the anger of conservatives or right-wingers or groypers or trads or Chads or shitposters or volcels or incels or even the bowl cut enthusiasts or whatever the fuck you want to call the people who see patterns and aren’t NPCs waiting for the next goodthink update from the powers that be. Maybe despite his emotional instability, that’s what makes Joker our representative in this era: He sees patterns, and the thoughtpolice are afraid because they think Joker could be the spark to light the powder keg because he’s not afraid to snap. He’s not afraid to be the one to start the chaos that we all know is coming anyway.

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But who am I to say this? I’m just a guy who got shot in a movie theater. That’s right, dear readers – I’m already fuckin’ dead! As the credits rolled both exit doors popped open and several three-man shooter teams rolled up with heavy heat. “We’re a lone gunman!” they all shouted as they unloaded 5.56 ammo directly into my face. “Don’t report a three-man shooter team to the police, that really messes up the narrative! We’re just one white guy!” they repeated, as they reloaded and fired into my face again and again, spaghetti and sauce shooting from my ruined sinus cavity as heavy rounds tore through my skull. A few rounds even sliced through my guts and interacted with the refreshing diet beverage I’d been drinking just like they were Mentos, and the ensuing chemical reaction caused the Diet Garbage Juice to erupt from my bullet-riddled tubing like some kind of science experiment gone awry. My jaw shook convulsively as my teeth were pulverized and I think they imagined I was talking back, and that really pissed them off. Chunks of wet meatloaf flew from my bullet-battered skull as CIA and Mossad concentrated their firepower, living in absolute terror that their victim would not be one hundred percent on board with their dumb plans for world domination.

But it wasn’t all bad. I was just happy that Joker literally mentioned SOCIETY at the end!!!

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Rambo V: Last Boomer

In Which John Rambo Traps Blue-Haired Liberal Critics in His Tunnels and Hunts Them Down!

By Kyle B. Stiff

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I’m a big fan of Rambo, but I didn’t want to see Rambo: Last Blood. Being a product of Hollywood, I assumed it would be about John Rambo going on one last mission to help Mexican prisoners escape from Trump’s concentration camps while executing police officers and ICE agents in the name of diversity. I assumed the script would be written by James Gunn (the director of Guardians of the Galaxy) or one of his clones, and would include a lot of “witty banter” between “delightfully dysfunctional” social outcasts. I hate that stuff and I wanted to remember Rambo as he used to be, before Hollywood became the propoganda arm of a cult ten thousand times worse than Scientology. However… as soon as I heard that people were getting triggered over this movie, I had to see it for myself!

And, guess what – it’s beautiful!

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Rambo: Last Blood isn’t exactly a great movie, but it’s the very thing that we needed. It has a simple story, but the timing of its release, and its focus on narratives that liberals hate, is like a lighthouse beacon for the human spirit tossed in a storm of retardation that is destroying civilization (guess I’m taking the kid gloves off with the hyperbole here). I won’t spoil anything, but the basic gist of the movie is that John Rambo is living a quiet life dealing with the demons of his past (meaning: he got to commit a lot of based war crimes back in the day), he has a niece that he dearly loves, and she gets involved with Mexican gangsters – that is, human traffickers. If you’re liberal: Yikes. Fucking YIKES. “Uh, Yikes Department? I need to file a fucking claim, please! In fact my name is Karen and I need to speak to the manager about this shit!!!”

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Every liberal film critic hated this movie, but lots of normal people (that is, unindoctrinated people) liked or even loved it. Maybe this is obvious, but sometimes it’s good to state the obvious: The entire narrative of this movie simply cannot exist within the liberal narrative of how the world works. In the liberal world, there are no Mexican drug cartels or human traffickers. There are only disenfranchised people who were not properly served by society, and therefore they must I repeat MUST be allowed to come into America. Unfortunately they can’t, because our President (who is Literally Hortler) is enforcing regressive, archaic, outdated border security laws, and is even putting Mexicans into concentration camps, including Area 51. There may even be ovens and execution squads at these concentration camps, who knows?

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Since Hollywood is one hundred percent on board with this narrative, Rambo: Last Blood hits hard because it somehow came out of the very machine that’s been retooled to ONLY churn out stories that fit within a lefty narrative. Having rejected any sort of traditional religion, and yet still being human and thus requiring some kind of religion (or at the very least, a moral framework), Hollywood has chosen DIVERSITY. “Have you heard of diversity? It’s our strength!” Within that framework, a movie that shows Mexican gangsters keeping young sex slaves drugged and confined is downright blasphemous! It doesn’t matter that this movie also has good and heroic Mexican characters; no, within the extreme leftist narrative, you are not allowed to acknowledge that a Mexican is capable of immoral behavior. It would be like saying that diversity isn’t our strength – which it is, if you haven’t heard.

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Last Ride of the Boomers

It’s been said by those wiser than me that the zoomers will be our salvation, but Last Blood is kind of interesting in that it shows a boomer getting his shit together and squeezing out enough testosterone to mow down some bad guys just to help a defenseless girl, even rocking his boomer jams while he does it. In a world where right-wing guys are beyond sick of putting up with female troubles (some are even going MGTOW) and left-wing types praise women only when they act like men, it’s nice to see an old guy butcher some bad guys in the name of chivalry. One of the bad guys even says, “Only an old fuck would come back for some cut-up bitch.” It’s sweet and strikes a deep chord, especially among guys who have a protective instinct that they aren’t allowed to use. We can’t even compliment women or hold the door open for them, much less form militias and blast suspicious border-crossers to protect women who, let’s face it, never really understand how unbelievably dark the world can be.

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In some sense, the warrior mentality idolizes females even though (real talk) they don’t deserve idolization, but it’s kind of a “necessary lie” that holds civilization together. But civilization is falling apart. Rambo’s niece Gabriela was on her way to college where she was probably going to major in Socialist Gender Theory with a minor in Antifa Combat Tactics or “How to Hate Everything (Including Yourself)”. This beautiful young lady who loved her family and her Uncle Rambo would most likely come back home for the summer overweight, her hair either blue or shaved off, with a nose ring and a bunch of tattoos, leading some indoctrinated soyboy on a leash, and berating her Uncle Rambo for his  toxic masculinity. I’m trying to be spoiler-free here, so I’ll just say that whether Gabriela was going to *have a very bad time* with Mexican drug cartel animals or have her soul mutilated by left-wing cultists, she was fated to be sacrificed either way.

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There’s a lot about Last Blood that isn’t great, but its timely nature definitely takes it out of the “okay” category and makes it far greater than its otherwise plebeian nature might have warranted a few decades ago. The shots of Trump’s wall and Rambo’s improvised Mayan revenge ritual alone make it worth our time. In an era where every movie exists only for indoctrination purposes, I don’t know how this one slipped through.

This imperfect movie taps into our very real need to protect what we’ve worked so hard to build, because we’re powerless right now. Every day we see these cultists tearing down one institution after another. Despite what you might think, people aren’t dumb. They know society is falling apart, and they know it isn’t because traditional values, which have guided civilizations for thousands of years, are suddenly the cause of our downfall. Most people can’t articulate it, but they instinctively know that people with blue hair having emotional meltdowns because an election didn’t go their way is not normal. They know that there are certain things that seem to make crime rates skyrocket, and they don’t want their neighborhoods to become scary places where kids can’t run around and have fun, and they know the blue hairs and the professors and the obnoxious celebrities aren’t going to help. And these very loud weirdos aren’t trying to debate the merits of their ideas, either; they rely on shutting down dissent through censorship, and using emotional histrionics to control weak people and bludgeon strong people into submission. The meme “Are we the baddies?” definitely applies.

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I have to admit I got a kick out of Rambo’s creator being very vocal about how much he hated this movie. It’s one of those JK Rowling moments where the creator is desperately virtue signaling in order to remain relevant. JK Rowling is the most prominent representative of this pattern, which is especially amusing when you consider the “problematic” nature of her Gringotts goblins and the stereotype they represent. Whatever the case, I’m sure it’s tough when everyone you know is a lefty, and your entire reputation depends on how hard you virtue signal in public. I can’t imagine how miserable it must be!

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CONTROVERSIAL ENDING

Anyway, when the credits rolled, I hit the exit and unexpectedly met a three-man shooter team preparing to blast everyone in the theater. I’ve played a lot of Metal Gear Solid games so I was able to use my knowledge of stealth to hide and listen in on the black ops team.

I distinctly heard their commander say, “Remember – no Hebrew.”

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I feared the worst, but the attack was suddenly called off, and I followed the killers behind the theater. They had a mobile command center set up around some innocuously labeled vans, and I saw a drugged-up white kid sitting on the curb, his eyes glazed over from a pharmaceutical cocktail that enhanced his MK ULTRA training and his willingness to be a patsy in yet another “active shooter” incident.

I watched as the shooter team fell to one knee, bowing to a holographic image of George Soros in a black robe.

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“Master,” said one of the killers, “why must we stand down? If we want to disarm the American people, or at least convince them to disarm themselves, then you know we must have more shooter incidents!”

“Of course, my young padawan,” said Emperor Soros. “But our surveillance of the theater revealed that only ancient boomers are willing to go to a matinee showing of Rambo. Nobody cares about a bunch of white-haired old men!” Before the shooter team could break down into tears after losing the opportunity to shoot a bunch of people and blame it on a drugged up white kid, Emperor Soros smiled and licked his lips.

“Postpone the mission until JOKER!” he said, cackling like a cartoon-villain.

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I broke out into a cold sweat, dear reader, and I got the hell out of there. I’m looking forward to Joker, but I’m not looking forward to being shot, so hopefully we’ll have a few more false flag attacks and… er, that is, I mean I hope we have a few more actual shootings before Joker so we can all be disarmed before it hits theaters. That way we won’t end up in the inevitable situation that *everyone* is predicting!

I’ve always wanted to live my life as a disarmed slave anyway, and if Hollywood can help out with that, then I’m all for it!

 

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Joker: Why Wahmen Don’t Seem to Care

By Kyle B. Stiff

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I’m sure we’ll be disappointed in the end, but as it stands now, every young conservative guy is looking forward to Joker, and exactly zero females care. It’s one of those movies that seems like it embodies the spirit of our time, like a sign pointing out this feeling we have that something big is about to happen. The excitement we feel surrounding this movie is probably similar to the way a normie feels about Nintendo or Game of Thrones. Conservative males who are keeping an eye on the decline of civilization finally feel as if the Bluepill Factory that is Hollywood accidentally made something interesting.

But why is it only men who care? And even then, why only a certain kind of man?

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Men are dropping out of society. They’re committing suicide at record rates, they’re getting hooked on pain-killers, divorce rates are through the roof, the manual labor jobs are either going overseas or being taken by robots or undocumented aliens, college is no longer job training but advanced indoctrination, and yet mainstream media agrees that men are toxic, problematic, trolls, literal Nazis, or perhaps even worse liberal buzzwords. In fact, if a man complains about this situation, or even expresses some reservations about throwing away civilization in general, he risks losing his job. Who wants to employ a Nazi, right?

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From this perspective, a movie about a man who isn’t an alpha, but a regular guy beaten down by a world gone mad until he cracks and becomes something terrifying, is going to touch something in men that’s lain dormant for a long time. “Are you having any negative thoughts? All I have are negative thoughts.” For a gender whose specialty is pushing pain down where it can’t be seen, just so jobs can be kept and worlds can be turned, could a better quote ever be written?

Of course, all of that is from the perspective of men. But not even every man; certainly not the kind of man who vapes and streams Mario Party on Twitch and genuinely cares how Disney will wrap up the Star Wars saga. You know the type. Men who think “Desmond Is Amazing” is a sign that we’re progressing toward a Star Trek utopia rather than… well, the end.

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But what about women? From their perspective, Joker comes out of nowhere. It’s irrelevant at best, and dangerous at worst. Just think about the kinds of shows that women watch; can you think of anything appealing to women that has even a hint of what’s about to happen in our world? There aren’t any female talk shows warning women about Europe becoming a caliphate, or mocking California for becoming a third-world dump. Can you imagine feminist college classes warning women about the scary statistics concerning children raised by single moms? Yeah, right! Women get their news and their worldview from completely different media than conservative men, so as far as they know, we’re heading for a bright future. As soon as those crusty old men give up their positions as CEOs, women are going to fix everything! Right?

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The media that women consume tends to show women in a positive light, feeding into their resentment and amplifying their sense of being downtrodden. From their perspective, a movie about a man who snaps and puts on clown makeup is just creepy and weird, a non sequitur *seemingly* out of left field. They have no idea that the guys they refer to as trolls are the canaries in the coal mine, watching the world fall apart, putting the pieces together in a way that women really can’t, but we’re holding back because we’re afraid of the backlash.

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Anyway, what are the chances of some idiot shooting up a theater during a showing of Joker? How many Antifa degenerates are already cooking up something stupid? How many Feds are dressing up some poor guy whacked out on meds? Is anyone really going to be surprised when we get reports about a three or four-man shooter team killing people, and then all of a sudden the story changes and BAM! Mainstream media will be telling us the shooter was a white, right-wing extremist.

It wouldn’t be the first time, right?

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Godzilla’s Revenge: A Misunderstood Movie for Those With Enlarged IQ, Only Serious Brainiacs Need Apply

By Kyle B. Stiff

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Here’s a quick rundown on what may be the best Godzilla move of all time. It’s about a little boy who goes to Monster Island and meets Godzilla’s goofy-looking son, a creature with a battle cry that sounds like a donkey. They become friends while stock footage taken from other (better?) monster movies plays in the background. Most kaiju fans don’t take this one serious because it *seems* lighthearted, even silly. But, behold: Godzilla’s Revenge (also called All Monsters Attack) is the darkest Godzilla movie of them all.

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The movie opens with shots of an industrial wasteland.

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This is the urban jungle that formed Ichiro, our protagonist, a little boy growing up among steel girders and desolate parking lots with two parents constantly working and only a television to keep him company during dinner.

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We know right off the bat that Ichiro is not a cool kid as he explains to his little lady friend the sound that his imaginary monster friend makes. She is saved from his autistic cringe when a gang of bullies show up to assert dominance.

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This is life for Ichiro – being bullied in an urban hellscape with no one to protect him. It’s the opposite of the kaiju formula, where monsters who were made for endless war beat the shit out of each other throughout all eternity. Ichiro’s life is just a sad blip on the radar.

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The fact that Ichiro doesn’t wallow in sadness only makes his sad fate more apparent to the adult viewer (and more palatable to young viewers who just wanted to see some giant monsters fight each other).

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When Ichiro is alone, he dreams of being on Monster Island. He imagines that he is friends with Godzilla’s son, Minya (or Minilla), a sort of cute creature with a face that is nonetheless nightmare fuel. Minya is just as pathetic as Ichiro, though he puts on a brave face, simply stating that he has no friends so that there can be no confusion about his state. This may be more the result of Ichiro’s latent autism, in which his emotional disconnect with himself manifests in imaginary friends stating matter-of-factly that they are alone and without friends but not making a big deal of it.

 

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Minya is bullied by a monster called Gabara, a giant lizard with a cat’s head and wild orange hair. Gabara looks stupid and thus he’s a real shit, just the sort of thing that would be dreamed up by a young boy sorting through his own problems.

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In fact, it’s important to note that even though Ichiro retreats into a fantasy world to get away from life’s difficulties, I think it’s a psychologically healthy fantasy world. It doesn’t cater to his desires but presents him with the hard truths about life in a way that a young boy can understand. He doesn’t daydream about a world where everyone is nice to each other and nothing can hurt him. He knows that’s impossible. He knows the world favors the strong, and he wants to be strong, even though he’s scared.

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In his fantasy world, Godzilla doesn’t cut Minya any slack. One might make the mistake of thinking that being the son of the most powerful monster would guarantee you an easy life, but Godzilla didn’t become the most powerful by being soft. Godzilla doesn’t have time for Minya’s tears, and when Minya desperately seeks his help against his bully, his father pushes him back toward Gabara. On Monster Island, there is no room for weakness! In fact, I think the title All Monsters Attack isn’t necessarily an order, but a statement that this is what monsters do: They attack. We do the same. It’s how we survive!

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The funny thing is that once Minya gives the fight everything he has, Godzilla actually does help him when things get really hairy. When Minya embarrasses Gabara and Gabara loses his cool, Godzilla comes in, throws Gabara around, whips him with his tail, beats his face in, squats and shits on him, you name it. There’s a life lesson in there: No one will help you until you help yourself. Problems seem insurmountable but you still have to give it some effort, but once you do, help will arrive.

Or it won’t, and you’ll die.

Either way, it’s better than living in fear like a coward!

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In the end, Ichiro’s fantasies about Godzilla and Minya and the Monster Island lifestyle inspire him to fight to survive a pretty harrowing real-life situation in which some bank robbers kidnap him and even consider killing him. It’s a rough situation, no doubt traumatizing for someone as sensitive as Ichiro. It’s a grim reminder of the world he lives in, a mean urban toilet bowl where a grown man will pull a knife on you if you get between him and a bag of money. But in surviving, Ichiro gains perspective. When his bullies try to torment him the next day, he doesn’t even consider backing down. He already knows true pain, so he has nothing to fear, even against opponents bigger than him. He fights! He even beats the alpha who leads the bullies!

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But here’s the thing. When Ichiro wins the fight, does he force the bullies to give up their cruel ways? Does he make them slink off in shame so they can contemplate their misdeeds? Hell no – he becomes their leader!

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And his first act is to terrorize a painter working on an advertising billboard. The man falls over, covered in paint, and as Ichiro and his crew laugh at the man’s plight and run away, it is simply a continuation of the will to survive and fight and persist in a cruel world. Such is life on Monster Island, also known as planet Earth!

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It’s this point that deeply troubles many viewers, especially some guy on YouTube that spazzed out about this movie. The guy on YouTube said this movie’s morals are indefensible, that this movie is horrendous because it depicts kids saying hell and damn, and he hates the idea of bullied kids turning into bullies themselves. He thinks it’s an awful movie for kids to watch. I’m sure he’s one of those guys who thinks that children should only watch pleasant things, and should be taught that kindness means everything, and that discomfort must be avoided at all costs.

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Does that sound nice? It shouldn’t – those are the values that turn people into livestock! Life is cruel and the suffering only ends with death (and maybe not even then). Avoiding pain doesn’t lead to pleasure, but to weakness and further suffering. Once we grasp that simple fact, what better lesson could a parent give than to teach their children how to fight and survive, even if it means hurting them?

Hello, Illuminati! Can I Please Watch a Godzilla Movie Without Your Dumb Ideas in It? Thank You!

By Kyle B. Stiff

“Sure would be nice to watch a movie that isn’t full of Illuminati symbolism!” This is what I said to myself when I rented Godzilla: King of the Monsters. Considering the fact that it’s a big budget Hollywood movie made in an era when the war of ideas is just a few false flag attacks away from turning into an actual civil war, I should have known I wouldn’t be able to retreat into fantasy without the elites giving the ol’ “let’s indoctrinate Kyle” idea at least one more try.

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Even though the unnameable “powers that be” seem to be losing their grip on the world, let’s go through their latest pet project in the interest of keeping tabs on them, shall we? Also, please note that I will be referring to them as the “Illuminati” just because it’s a popular term. They don’t really call themselves that, of course. Also please keep in mind that despite dozens of other blog pieces about this very same thing, the LAST thing I want to be doing is documenting still more Illuminati influence in popular culture. These people are self-important degenerates, their ideas are stale and don’t work in the real world, at this point even low IQ normies are starting to catch on to this demon-worshipping blackmail cult, and truth be told I’m sick of them and sick of noticing how they ruin what could be great projects. There are a lot of awesome fight scenes in Godzilla: King of the Monsters, and some interesting takes on the various monsters, plus I fell in love with Mothra, so there’s hope for Hollywood yet. That is, there’s hope as long as the Illuminati keep losing ground. I’m looking forward to an age when we won’t have to deal with these weird freakshows trying to influence every single movie and music video!

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In older Godzilla movies, Godzilla often fought monsters who really had it in for us. So even though nobody in the movies really liked Godzilla, protagonists were forced to accept that at least he could occasionally defend us from worse monsters. Times being what they are, when evil is good but stupid is even better, Godzilla: King of the Monsters is full of characters who worship Godzilla (or other monsters) and want humanity to be wiped out, or at least drastically reduced in number. And I’m not just talking about the bad guys!

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Population reduction is a huge tip-off that this is an Illuminati production, as that’s become one of their core ideals. If you’ve ever wondered why so many stories seem to revolve around “humans bad, nature good,” it’s because the religion of the Illuminati is based on hatred toward humans. Their upbringing includes some pretty intense abuse, so their hatred of humans may be understandable. They’re obsessed with the idea that human beings are a “virus” and that the earth is sick of us. Once you spot this philosophy in movies, you’ll start noticing it more and more often. If you’re not the kind of person who is easily indoctrinated, it can be really annoying seeing such a dumb idea pushed as if it’s common sense!

In fact, if you’re shaking your head as you read this, and you’re thinking, “Oh my God we MUST reduce human population!” then congratulations! Your bitchass has been indoctrinated!

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The Asian lady on the science team helps frame this idea from a mythological perspective: In western civilization, we slay dragons, but in eastern civilization, they worship them. The idea is framed in such a way that we are struck by the wisdom of the Orient, and feel a knee-jerk response of “aw shucks, we always got it all backwards!” Thing is, we don’t have it backwards, as an entire planet full of failed states once looked to the West for inspiration regarding ideas that help nations thrive. Ideologically speaking, dragons, and in fact all monsters, must be slain in service to humanity. This scene, in which our main protagonist finds out that the Asian lady on his team is a monster-worshipping nutjob, should have been creepy and disconcerting. The fact that she outs herself as an indoctrinated psychopath and nobody throws her off the ship tells us a lot about the kind of people putting this movie together.

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Now that I think about it, there was not just one monster-worshipping Asian in this movie, but two. Doctor Serizawa was a lizard-worshipping weirdo who wanted to die for the entire duration of the film. Like a man-made messiah he had a look of stoic resignation, no doubt horrified by so many years of being forced to live alongside “awful” humans when all he wanted to do was die in service to Godzilla. While watching the awkward scene in which he was finally able to sacrifice himself so that Godzilla could live, I could hear the emotional intensity of the music, so I understood that I was supposed to care, but I didn’t. This guy was a middle-aged doctor, so I’m assuming he taught at a university and had spent decades making kids feel guilty for being human. I used to deal with guys like him in the philosophy department all the time. It’s like, okay Guy, I get it, Communism didn’t work out – now you either need to get over it or hang yourself, and put us both out of your misery!

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Doctor Serizawa says, “Godzilla is the key to coexistence being possible.” In terms of the movie’s story, he says this because he believes that Godzilla can keep all the other monsters in check. But in terms of the Illuminati turning this movie into one of their brain-washing projects, I can’t help but think that this has to do with the weird “diversity” programming that these cultists are obsessed with. They can’t just let nations exist as they are, and let each ethnic group interact (or not interact) however they want. It bothers them to no end. Since these Illuminati cultists worship reptilians (among other weird shit), I think this idea of Godzilla being the key to coexistence is about the gods or spirits that the Illuminati worship as the key to human coexistence. This is completely wrong, of course, because we know from history that every pagan god demands human sacrifice at some point, and pagan societies are no more peaceful than any other. But, still, it’s interesting to see them play their hand concerning their reptilian-enforced diversity religion. Nobody wants diversity except these weirdos who live in gated communities, in fact diversity inevitably leads to conflict, but still, the Illuminati’s reptilian demon-gods demand it, thus “diversity is our strength” I guess!

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The name of the science team our protagonist joins is called Monarch. This is a reference to a type of MK ULTRA mind control programming. It’s blatant. If you don’t see it, or somehow haven’t noticed this in a billion movies and music videos, then don’t worry about it – you never will! I’ve been seeing this stuff for decades; it’s obvious that these people are proud of their ability to turn a human being into a mind-controlled automaton. Which is funny, when you think about it, because there are limitless ways to ruin a person’s mind and turn them into a shadow of what they could have been, but it’s incredibly difficult to turn a person into the highest and best version of themselves. In fact, we don’t even know of one sure-fire method of doing the latter. So why oh WHY are these weirdos who so desperately want to control us so freaking obsessed with their ability to ruin a human being by turning them into a “useful idiot”?

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One scene shows a recording of a happy family having fun while dressed up as bears. This is going to be a stretch, but there’s a wild theory that Bill Cooper of Behold a Pale Horse fame was not just a conspiracy theorist, but the descendant of some kind of noble family line important to the Illuminati; the person pushing this theory happened to notice that Bill Cooper throws around an inordinate amount of “bear” references in the introduction to Behold a Pale Horse, as well as a few other things. It’s an interesting theory, but ultimately, who cares? The era of conspiracy theory in which we had to decode Illuminati symbolism in order to figure them out and track their movements is at an end. We already know what they believe in, and besides, they’ve become blatant in their broadcasting. Now we just keep tabs on them. These people have contributed shockingly little to the human story, and nobody cares about Illuminati bloodlines except for indoctrinated Illuminati cultists. So there’s no need to dwell on the bear symbolism; let’s just note that it’s there and move on.

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However, it is interesting to note that the mother in that happy scene later became a dried-up, unhappy, career-oriented woman who not only destroyed her own family, but also wanted to destroy the entire world by joining a bunch of lefty eco-terrorists. It’s a surprisingly based take on the failed mother archetype when, taken together with all the other Illuminati ideals, you’d think she would be the star and savior of humanity! In the end, she did end up sacrificing herself (the Illuminati obsession with mimicking the Christ mythos) and even said, “Hail the king” (or something like that). Is this an admission that feminazi ideals serve the reptilian overlords?

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There’s an occasional glimpse of Christian symbolism that juxtaposes oddly with the Illuminati reptilian-worship diversity-cult symbolism. When King Ghidorah ascends to the “throne” of a volcano and roars in triumph, a Christian cross is shown in the city below. It’s prominent enough to let the viewer know that King Ghidorah stands opposed to the Christian ideals of the common man. This shot would make perfect sense if Hollywood wasn’t controlled by dual-citizenship types who hate the country they live in and despise Christian values, so I’m not quite sure what it’s doing in an Illuminati movie like this one. Maybe it’s just a statement that the reptilians stand opposed to the creator of the universe beloved by much of mankind?

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There’s also a bit of Christian symbolism when Godzilla falls to the earth. This is a direct reference to the Book of Revelation, when Michael casts the dragon, or Satan, out of heaven with a third of his angels. They fall to the earth like falling stars. Of course, both King Ghidorah and Godzilla are stand-ins for reptilians, so this may be indicative of reptilian in-fighting rather than an assertion that King Ghidorah is some kind of angel. Ultimately, they’re all demons.

In fact, the 2014 Godzilla movie made it clear that the monsters were demons. There was no Illuminati symbolism in that movie (at least, none that I could see, and these people are usually pretty blatant about this stuff). Seeing the monsters fight in the 2014 Godzilla movie was like watching demons locked in eternal combat in hell, a nightmarish glimpse of burning black pits where no human would ever want to go. It was intense and made the soldiers’ HALO jump that much more heroic.

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There’s another piece of symbolism that makes me wonder if maybe the creators of this film are not one hundred percent on board with the failing Illuminati agenda. It’s subtle, but it’s there. Right before the final battle, there’s a burst of wind, and it causes an American flag to stand at attention. God is often symbolized as wind, as He gives the “breath of life” to living things. Instead of the Illuminati asserting that nation-states are stupid and outdated, as they tend to constantly remind us, here we see a symbol of America being reawakened by the breath of God. Is this an admission that the Illuminati know they’re in trouble?

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Actually, it could be a strong indicator that much of this movie is the product of an oracle who isn’t necessarily loyal to Christian or Illuminati ideals. I think lots of creative types are oracles. I see this in my own stories, where a supposedly simple “good guys versus bad monsters” story will end up having unexpected prophetic bits in it. This happens in fiction fairly often. It’s not that these stories can predict the future and help us avoid bad outcomes, they’re just snapshots of an aether full of swirling images projected from a higher realm that we can’t really understand. It’s been said by people wiser than me: The creative mind is something we don’t understand, and yet everything we have comes from creativity.

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Anyway, I’ll close with a palette cleanser. Mothra stole the show. I think I love her! She’s beautiful and graceful, and has a “heavenly” presence that made me choke up a little bit. What a shocking contrast with the aura of infernal rage of the other monsters! She’s a bad biddy and can’t be manipulated by King Ghidorah’s “fake alpha” call that tricks the other monsters. She’s noticeably smaller than the other monsters, too, and delicate, but she’s got plenty of tricks and sass that she uses in battle, and (SPOILER) she even sticks by her man to the bitter end – a rare quality in this era of abandoned families and societal breakdown!

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I vaguely remember seeing Mothra in the Godzilla movies of my youth, but I was never that into her. I always liked the BDSM Hellraiser-tier monsters like Gigan. But now that I’m older and my T-levels are dropping, I can’t get over that cutie Mothra! As my sanity weakens and I continue rambling on about reptilians and the Illuminati, I’ll probably snap and start dressing like one of the girls who used to sing to Mothra and summon her in the older movies. You’ll be able to find me at random bus stops in my colorful attire, singing and dancing as I desperately try to summon a giant moth who can save us all.

 

Marvel Movies: Where Do We Go From Here?

By Kyle B. Stiff

As our testosterone levels drop and our need for lighthearted distraction increases, I think the next installment of Marvel movies will probably look more like long-form sitcoms. The characters will sit around in a shared apartment being catty with one another. Every time a new character walks in and sashays around we can all have a big laugh about how the other characters “can’t even”.

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Alita: Battle Angel Is a Right Wing Trad Morality Play

By Kyle B. Stiff

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It’s no wonder the corporate overlords who dearly wanted us to accept Captain Marvel hated Alita so much! The story, an adaptation of a manga birthed in 1990 (practically the Reagan 80s!), shows us the dystopian hell we currently live in from the perspective of a good old-fashioned hero’s journey narrative which must be considered right wing – at least, from the modern perspective of far left extremism which has become the norm.

This one’s going to be a D*O*O*Z*I*E so please prepare yourself.

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As soon as she wakes up, it’s obvious that Alita isn’t an angry “don’t need no man” feminazi. She accepts Doctor Ido’s direction and she enjoys learning about the world she’s in. Ido, her adoptive father, represents the Patriarchy. He creates strict rules of conduct for Alita, including what she can eat and when she can leave the house. Sounds awful, right? The thing is, Doctor Ido knows the brutal truth about the world. He’s seen so many Scrapyard denizens get their heads beaten in and their limbs sold on the black market that he’s practically blackpilled and can no longer entertain any notions about the inherent goodness of humanity. But since he’s a good man with a strong spirit, knowing the truth about the world doesn’t make him bitter, it makes him generous and sympathetic to people with hard luck stories. That’s why he treats a laborer’s cyborg arm for nothing but a bag of oranges. He’s like a country doctor from the Norman Rockwell era. Of course, from the modern liberal perspective, he’s problematic (if not a Nazi) for not letting Alita live life on her terms. (Remember, from the left’s perspective, old is bad and stale, young is fresh and progressive.)

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But Alita is a strong-willed lady, and eventually she’s no longer satisfied with being Ido’s “precious little girl”. The conflict between them is interesting because Ido doesn’t understand that Alita has the sort of warrior spirit that can handle the harsh truth about the world. In fact, she was made to fight. Ido could keep chipping away at the evil that lurks in the shadows, but in the end, he’s never going to get anywhere. Why is that?

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It’s because – and write this down if you don’t know it already – men are capable of existing on the fringes, but women are the gatekeepers of the mainstream. Men can spin their wheels perfecting arguments for whatever they’re into, but without women, no movement will ever go anywhere. In terms of the contemporary culture warfare, conservative men can shitpost about liberal meltdowns and diversity malfunctions all day long, but until women start posting trad selfies on Instagram and writing blog posts about church picnics and advice for keeping anal fisting vids off of a child’s smartphone, you’re never going to hold your civilization together against endless hordes of indoctrinated diversity cultists and professors who hate their own nation. So even though it seems like a bad idea to let Alita see the truth, Ido has to trust that he’s not alone in his fight against lawlessness.

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There’s a plot point that could almost be its own story arc within an anti-feminist narrative that begins when Alita finds out women are being targeted by a serial killer. This is her bluepill moment – “Never trust men.” Then she finds out Doctor Ido goes out late at night, and comes home wounded – “Don’t even trust your own father!” Alita follows Ido and sees him stalking a woman – “A helpless victim!” Alita stops Ido from killing her – then Alita nearly chokes to death on a melon-sized redpill when she finds out the “helpless victim” is actually a member of a gang of murderers targeting Ido because they’re sick of him taking down criminals. Alita ends up in a vicious battle against a sickle-wielding, man-hating fembot, and even defends her own father. The analogy of zoomer ladies waking up to the feminist narrative kind of writes itself, it’s so obvious. It’s also worth noting that the fembot’s sickle echoes the sickle of the angel of death, the grim reaper, and the dark god Saturn worshipped by the elites, as well as the hammer and sickle of Communism, as well as the crescent of Islam. Hmm… that’s weird, it’s almost like symbols reveal truth, and our arch-nemesis always carries a sickle.

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Alita demolishes her opponents and saves Ido. So while Alita is a strong female, and it might seem weird that this movie wasn’t pushed by the left, just remember that it isn’t really “strong females” that feminists or lefties want to see in film. They want to see women beating the shit out of men (who are all rapists) while wearing sunglasses and showing no emotion except cold fury. Alita is far too warm-hearted to exist within a feminist framework. She likes her neighborhood and her dad and eating food for the first time. She’s emotionally stable rather than broken or dead inside. When compared to Captain Marvel’s “Karen who wants to speak to the manager” personality, it’s night and day. This story comes from a bygone era, continuing sci-fi’s long tradition of showing strong females, but without the gender studies course in victimization.

In fact, near the end of the film when Alita’s problems are piling on top of her, Ido tells her, “Never feel sorry for yourself.”

Talk about anti-feminist! Um, isn’t, like, figuring out how you’re a victim kind of the whole point?!

 

THE SAD TALE OF HUGO

Now we’ve got to talk about Hugo. Hugo may seem like a Chad who’s smooth with the ladies and knows all the cool joints, but the key to understanding him is knowing that he has ingested a toxic dose of bluepills. His sad fate is imminent and unavoidable. His character is perfectly laid out in the scene in which he takes Alita on top of a building. “Look at that view,” he says. Alita looks out over the entire Scrapyard, which is a total dump, really, but she says, “Wow! Really cool!” Hugo then corrects her by saying, “No, look. THAT view,” then points out Zalem (I think that’s what it was called in the film version). Zalem is a floating city where the unseen rulers of the Scrapyard dwell. It’s assumed that they live lives of ease and plenty, far above the petty squabbles of the earth. Hugo desperately wants a new life in the floating city, whereas Alita is capable of seeing the mess of the real world and accepting it as it is.

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Hugo wants a better life, but one of life’s most important lessons is that there is no such thing as a “better life”. Accepting the world as it is, even though it’s imperfect, is the essence of what is called the redpill. History has shown us time and again that you can never “immanentize the eschaton” or create heaven on earth, as it always ends in misery and death. Historical examples include every Communist revolution.

Hugo’s state of mind is the unfortunate result of liberal indoctrination. “You going to live by his rules, or yours?” he asks Alita, challenging her to throw off Ido’s shackles and live in a state of absolute (and unrealistic) freedom. Also look at his scrimmage sportsball game in which men and women play together. His game results in men constantly dunking on women, yet he is somehow oblivious to this frequent occurrence. Perhaps he believes that all men and women are interchangeable athletic units that can be mixed and matched without limit?

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Hugo is the ubiquitous lefty “useful idiot” you see so often defending the very people who want to enslave or even kill him – which would be Vector in this story. Vector is the liberal elite handing out dreams of a better world as he works toward monopolizing all wealth under his control. Vector is the reason “useful idiots” ends up scratching their head when every Communist revolution results in brutal dictatorships where wealth is controlled by those at the very top while those at the middle and bottom get to live in a police state or in death camps that will later be hidden by mainstream media and lefty academia.

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However – Hugo is not a bad person! This is very, very important to understand. Conservatives spend way too much time arguing with liberals who are notorious for being unable to defend their views outside of the academic bubble. Twitter and YouTube are great examples of mainstream liberals backed by corporate powers pushing goofball opinions, only to be mocked ruthlessly by right-wingers and even just unindoctrinated moderates, who then have to be censored or de-platformed in order to stop any counterargument. It’s easy to get angry with the powers-that-be, but in some sense it’s intensely cruel to argue with liberals who actually need to be protected, not beaten. They’re not the enemy. In fact, like Hugo, they never had a chance!

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It’s interesting to note that when Hugo is being hunted, he runs to a church. Hugo runs to the thing that represents shelter, sanctuary… actually the pillar of civilization (sorry atheists, it’s true, even if the turbodweebs in lab coats disagree). Once Hugo is in church, he’s no longer the strutting “ehhhh who makin da rules aroun here” tough guy, but a remorseful, lost soul who finally realizes he is imperfect – that is, sinful. He stops telling himself a bullshit story about how great everything is going to be (at least for now) and is finally honest about what he really is. And since Alita doesn’t live inside a manufactured bubble, but is in touch with the harsh nature of reality, she is able to accept him as he is.

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Now, this may be a stretch (as if the rest of this piece isn’t a stretch), but when Zapan puts Alita in a situation in which she has to kill Hugo, it’s a perfect example of conservatives letting themselves be controlled by corporate interests. Zapan fools her into doing the equivalent of directing her anger at indoctrinated liberals rather than globalist corporations and international players who hate independent nations (especially America). Of course nobody except the people at the very top give a damn about the GDP, but modern American conservatives have found themselves in the odd situation in which they support giant corporations – and guess what, those giant corporations support open borders, importing cheap foreign labor, even abortions on a mass scale for the selling of organs and tissue. It’s always odd to see conservatives fighting for corporate rights, but then again, maybe it’s not that odd because I guess I used to be one of those guys. In this scene, Zapan is nothing but a corporate whore. He’s a narcissist (“My face!”) who doesn’t give a damn about anyone’s life, but he has Alita in a moral bind; he perverts her natural aggression, which should be directed at true evil, by directing it at poor dumb Hugo.

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But once they get Hugo under control (sort of), Doctor Ido once again writes a prescription for redpills. He says, “Vector was running a scam. If you’re born on the ground, you stay on the ground.” Turns out there’s no way out of the Scrapyard (the real world). In terms of our world, Doctor Ido is saying that instead of dreaming of a world in which you kill the rich and plunder their money, and whooooops also destroy your own nation in the process, it’s better to live a good life, take care of your family, stay connected to your people, and protect your borders. Be careful of stupid ideologies that make you hate yourself or your nation, no matter who is selling the ideology.

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I don’t want to dwell on Hugo’s fate, but he definitely experiences a post-Presidential election meltdown when he’s walking along the supply tube. It’s important to note that he was given a robot body because his head was disconnected from his body – meaning he was too much in his own head, and was fatally disconnected from reality. Such a shame! It’s really a grim reminder that instead of sitting back and laughing at these people on social media, we actually need to save them from the mind virus that makes them worship Zalem rather than connect with the Scrapyard of reality.

Ah, before I end my rant on Hugo, I have to point out the funniest part of the movie. One of the girls in Hugo’s crew asks her friend why he doesn’t like Alita. He says that she was a member of URM, a wielder of the deadly Panzer Kunst… basically a Martian space Nazi! In fact, wasn’t she sent to kill them?!? The girl’s redpilled response?

“Yeah, like three hundred years ago. Get over it!”

Imagine… a Hollywood film actually ridiculing the left’s eternal boogeyman, which they think is still out there, just waiting for the opportunity to get them!

 

THE HUNTER-WARRIORS

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“Before the Fall, there were police to stop criminals. Now the Factory pays us to do the dirty work.” Ido reveals the truth about the lawlessness thriving in the Scrapyard. This is the logical conclusion of the anti-police narrative that we are bombarded with daily: Mercenary thugs without any moral compunction are brought in and paid to stomp anything that doesn’t benefit the corporate overlords. Remember, the anti-police narrative doesn’t come out of a vacuum; it’s packaged for your consumption with an end goal in mind. Eventually a powerful corporation will step in with its own solution, and a population of bugmen will support it because they don’t understand the brutal reality of the streets and the necessity of violence.

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Note that in the Scrapyard, guns are illegal. In a lefty sci-fi story, making guns illegal would result in a utopian Star Trek future. In our right wing Alita tale, firearm monopolization creates an environment in which the strong prey on the weak with impunity. This is of course common sense to anyone who hasn’t been indoctrinated. Guns aren’t targeted by the elite because they want to reduce crime, they’re targeted because a corrupt ruling class always fears an uprising. In Alita’s world, Zapan and the other super-powered cyborgs who serve corporate interests use hand-to-hand weapons. Remember, only the strong can use hand-to-hand weapons. They aren’t for people like you – peasants and common laborers. Guns are an interesting thing, like divine tools of holy empowerment that even the weak can use them to defend themselves. From that perspective, why in the world would bad guys want you to have them?

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There’s an interesting and sad scene where Alita tries to unite the hunter-warriors against a common foe. In the past, hunter-warrior types would have been drawn into the military and turned into team-players fighting on behalf of their nation, but in the dystopian Scrapyard, these rough guardians have become corporate whores who won’t do anything unless there’s money involved. There’s no unity, as they’ve been atomized. They are essentially “rugged individualists” disconnected from their own people. One could make the argument that they’re analogous to modern Republicans – they’re tough and their genes are functional, they’re natural survivors, but at the end of the day they serve Israel rather than their own community.

 

DOCTOR NOVA AND THE CULT OF THE WATCHERS

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For anyone who isn’t completely oblivious, there’s a blackmail cult running the human farm we live in, and one of its main symbols is an eye inside a pyramid. You see it all the time in movies and music videos, and it pops up more frequently every day. The arrest of Epstein, the fall of NXIVM, and all the “pizza” enthusiasts cleaning up their Twitter profiles and pushing the big tech left to squash pizza-related conversations on YouTube only makes it more and more obvious, but still, I guess at this point you either see it or you don’t. There’s a chunk of our Alita story that focuses on this, so if this next segment stretches your credulity, let’s just say that *some people* believe in this conspiracy, therefore, it has at least some symbolic merit.

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The villain behind all villains is Doctor Nova. Ido calls Nova “the watcher behind the eyes.” This is of course a direct reference to the all-seeing eye of the ancient death cult that has the world in its grip, and no, I’m not referring to the movie. Only conservatives tend to see this stuff, so it’s appropriate that our right-leaning tale has the all-seeing Eye omnipresent in the background. (The same goes for Lord of the Rings, another right wing tale which features the Eye of Sauron.) Note that Doctor Nova is capable of “possessing” those who have submitted to him, which is a direct reference to demonic or spiritual possession.

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Did you notice that even Alita wears a t-shirt with a triangle that has another tiny, off-center triangle inside of it? This could be a reference to the swirl or hypnotic spiral inside of a triangle, used by pedophiles and pizza enthusiasts to signal to one another (according to the FBI), or the shape could be construed as an eye within a pyramid, or it could be both. It may seem strange that our good-hearted hero Alita would wear a shirt like this, but note that she wears it when she’s listening to Hugo talk about his delusional dreams of getting into a better world. Hugo is effectively hypnotizing Alita and, since our story is right wing, that means it operates from the perspective that *no one is without sin*. This scene shows that anyone can be fooled by the ancient death cult before they wake up – even a hero!

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Vector, a figurehead of both the Factory and the black market, serves Doctor Nova, but Chiren, Ido’s ex-wife and former citizen of Zalem, also serves him. She has an interesting story arc. Vector tempts Chiren with a vision of a perfect world, and all she has to do in return is create monsters. She’s desperate to return to Zalem, so she submits. She later grows a conscience and lets Alita live, and when Vector (or Nova) asks her why, she says, “Because I’m a doctor (meaning: she preserves life), and a mother. Somehow I forgot that.” Remembering is the key to unraveling the lies of greedy psychopaths like Vector who serve Doctor Nova, because they always want you to forget who you are. Vector tries one more time to draw her into the dream of a better world, and she says, “What I want… it isn’t up there.” BAM! Just like that, she gives up on the foolish dream of a world without pain and struggle. This is the thing that all Commies struggle with. They just can’t seem to wrap their heads around the fact that you can’t make heaven on earth without hurting a lot of people. You can only try your best to live a good and moral life within the confines of reality (which is the Scrapyard in our tale).

 

ALITA’S STRENGTH COMES FROM THE PAST, NOT THE FUTURE

Alita has a special heart enhanced by technology from a bygone era, making it strong enough to power an entire city, according to Doctor Ido. Such technology can no longer be duplicated. Alita’s heart is strong because it was made before the Fall, that is, before corporate powers and the cult of diversity took over and turned civilization into a third-world shithole. What this means is that Alita’s strength comes from the past, from her history, which is the thing that right-wingers are so obsessed with discovering, and that left-wing types hate.

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It’s the difference between trying to remember or preserve history versus constructing history as you want it. Not only does Alita discover the Berserker body (the weapon of her people) inside a forgotten ship, but eventually she even retrieves her true self from the past. That is, of course, the only way to discover your true self: Not by daydreaming about a perfect self fit for a utopian future, but by taking an honest look at the path that formed you, warts and all. Culturally, understanding doesn’t come from tearing down statues and historical landmarks, but from studying why and how those landmarks were made – and not necessarily from the judgmental perspective of assumed superiority.

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But, back to Alita’s heart, and Ido’s assertion that it could provide power for the entire city. This means that as long as a person’s emotional center is in the right place, then they can uphold the foundation of civilization. Just as culture is made up of symbols, civilization is made up of its people’s emotional balance. If that emotional center is destroyed, then your people are fragmented, and you’re left with bugmen who can be manipulated, made to hate themselves, and made to hate their nation or even civilization in general. Just think back to how many indoctrinated people you’ve heard say they wish civilization would fall so that “something better can come out of it.” I’ve heard this from many people, which is odd, because when you take a look at history, “something better” doesn’t come out of the ruins of fallen civilizations.

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Also note how head-oriented Doctor Nova is. After Doctor Ido points out the remarkable power of Alita’s heart, the scene is immediately followed by one in which Doctor Nova says that Alita’s power is in her mind. Of course it’s a common position to stand in awe of the human mind, and this comes from both the right and the left, but ultimately I think Ido is right. A mind can be tricked, deluded, even indoctrinated. Emotions simply are, and nations rise or fall depending on their emotional centers. Also note the pride liberals feel regarding their academic degrees – it’s all head-oriented.

Regarding history, the basic left/right split is: Either turn the world into what you want it to be (the left) versus seeing the bitter truths about the world and accepting things as they are (the right). The left’s focus on turning the world into what they want it to be is why they talk about “progress” and frequently mention the “current year” as if they are on a timetable, and they expect cultural changes to stay on schedule. The right’s focus on seeing things as they are, including the flaws in human nature, is why they often mention taking the “redpill” and calling people “sheeple” for not waking up to reality, and why they obsess over untangling the threads of history to understand the modern era. 

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CONCLUSION

Alita: Battle Angel is a breath of fresh air after the past few years of Hollywood force-feeding us a lefty stew of Things We Must Believe, including superhuman Karens who will curb stomp any man who dares stand between her and the manager. But this film isn’t perfect. Other than the main characters, the costume design is freaking awful. There are people dressed up like you or me walking around in the Scrapyard five hundred years from now. How is that possible? Unfortunately we may see more “budget” costume design as Hollywood is forced to tighten its belt. People aren’t going to the movies anymore, so the trend of making movies bigger and bolder with each passing year may be at an end. Of course, Hollywood could turn the money-printing machine back on any time they want, but they would have to give up on the weird lefty shit that they’re obsessed with. And that’s not going to happen!

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And keep in mind, all of the right-leaning stuff in this film is completely accidental. I guarantee you that everyone on set considered suicide on the fateful night of the presidential election. Even though the Scrapyard is a dump of violent diversity, where people would inevitably form ethnic enclaves that don’t communicate with one another except through force, the Alita movie tries to show people smiling and enjoying themselves. Even though the story is inherently right wing, it was still made within the milieu of left wing Hollywood where forced diversity is worshipped and entire civilizations are gleefully sacrificed on the altar of progress *just because*.

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Even though Alita: Battle Angel has taken heat because it has actual fans (rather than the fans and reviews manufactured for the benefit of Captain Marvel), it’s interesting to note that Blade Runner 2049 was way more right-leaning (again, most likely by accident) and yet it hasn’t been targeted by the thoughtpolice. Rather than a multicultural dump filled with smiling faces, Blade Runner 2049 (jokingly referred to as Pol: The Movie) depicted a world in which a social outcast straight white male was heckled as he made his way through a gauntlet of diversity. He worked to uphold civilization and was hated for it. His wife was so trad, she wasn’t even real. He obsessively pieced together his past, often looking like a complete conspiracy nut. He even got into a testosterone-fueled fist-fight with his “dad”!

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Still, mainstream media hasn’t done any hit pieces on Blade Runner 2049’s right-leaning narrative because it wasn’t released at the same time as Captain Marvel, thus it did not challenge the diversity narrative by getting in the way of its revenue.

 

BONUS MATERIAL: ONE LAST WILD IDEA

Actually, I’ve remained level-headed throughout this piece (right?), but I just had a wild idea that may or may not be true. I want to throw it out there just to see if I can get a reaction. The idea is: All stories about time travel are inherently left-leaning (because you’re editing the past in order to control the future), and all stories about amnesia are inherently right-leaning (because you’re piecing together historical truth, identity, and even the threads of a conspiracy theory).

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Star Trek and Harry Potter, both extremely lefty, contain plenty of time travel. I wouldn’t have thought that Back to the Future was lefty until recently, when I went back to watch the second one, and was shocked to see Biff Tannen as a stand-in for President Trump turning America into some kind of gun-slinging warzone where a teacher is hunted like an animal – a liberal fever dream based on histrionic fear of authority.

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As for conservative stories of amnesia, other than Alita, off the top of my head there’s Memento, about a man’s quest for revenge against the person who destroyed his family (which includes crime, family, conspiracy, and bloody justice – all right-leaning themes), and he has to face the awful truth about himself (he is flawed, which is also a very conservative theme). There’s Silent Hill 2, a video game about a man trying to put his family back together and has to come to terms with the fact that he destroyed his own family (history, family, the bitter truth – all conservative themes). There’s also Robocop, about a family man and normal-cop who becomes a robo-cop after he is killed and resurrected (!!!) and puts together the pieces of his past by blowing away criminals. The story isn’t friendly to the free market, but then again, not every conservative is a corporate whore.

Am I completely crazy with this idea? I can’t think of any story that destroys the pattern!