I Was Shot to Death While Watching JOKER! 10/10 Would Get Shot Again

By Kyle B. Stiff

What Black Panther is to African Americans, what Captain Marvel is to feminists who don’t watch superhero movies, what Thanos is to normies, Joker is to us… gamers? I mean Nazis. I mean incels. Or whatever the label is… let’s just say it’s the people who know civilization isn’t dying, it’s being murdered.

And we know who’s doing the killing!

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Mainstream media has been warning us about Joker, and for good reason: It gives voice to people who are sick of the degeneration of civilization. It’s been obvious for a long time that Hollywood is a cult, and it’s their job to present a gospel of life improving through lefty values and diversity indoctrination. That’s their job. They want us watching Captain Marvel and Disney Star Wars, not Joker, and they’re willing to push the idea that incels will shoot up a theater full of incels (huh?) to get their way. Of course, we all know what’s going on. We know civilization isn’t collapsing because the traditional values that have guided nations for thousands of years suddenly went past the sell-by date and now we have to make a frantic switch to atheist feminist Communism or else the world will burn up.

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But before you get too excited about Joker – and it is worth getting excited about – let’s get one thing straight: It’s not conservative or right-wing or trad or anything like that. It’s not even what Blade Runner 2049 was for us (a story about the Last White Guy doing his job and being hated while the world falls apart). While the creative minds behind Joker were definitely tapping into the collapse and the outrage we feel, that collapse and that outrage are still shown from a deeply left-leaning perspective. Remember, Thomas Wayne is rich and says insensitive things about the poor, Joker requires “free” mental health counseling, and the rioters carry signs that say RESIST, which is the battle cry of the Anti-Drumpf Orange Man Bad NPC Elite.

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In fact, Joker kind of reminded me of Back to the Future 2. Remember how that movie strangely predicted Trump’s presidency, as well as his ability to travel through time? Through the character of Biff Tannen, the makers of Back to the Future 2 clearly knew what was coming. However, instead of seeing it as an interesting cultural event and an opportunity to prune back the weeds of liberalism spreading through college indoctrination and Hollywood propaganda, the makers of that film saw it as a dystopian hellscape where white biker gangs roamed the streets shooting at teachers without any clear reason. Really, go back and look at that movie. It’s never explained exactly why the future is so dark, why white people have suddenly turned into violent savages – they just kind of did, and somehow it was Biff Tannen’s fault!

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So it’s a case of the oracle receiving a message from the gods, but the message is fractured by the unfortunate retardation of the human medium. While Joker is undeniably appealing to conservative men who feel impotent in the face of societal collapse, Joker is actually a snapshot of a liberal man lost in a sea of raging emotions and without any sort of rational compass that he can use to get a reality check. While we each retreat within our opposing bubbles, Joker is kind of an unexpected re-acquaintance with the lefty mindset. The fact that conservative men can relate just shows how tolerant and empathetic they are – imagine that!

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Remember, this movie was made by someone in Hollywood, not outside of it. Without doing any research, I’m going to go out on a limb (but not really) and say the director is a lefty, probably Jewish, and he thinks President Trump speaks a coded language that “dog whistles” (love that goofy term) secret messages to white nationalists and Russian handlers. I promise I will not even take the ten seconds required for a Google search to see if I’m right or not – I mean, do I need to at this point?

Anyway, the point is that this story is going to have a lefty slant to it, so I think Joker is a great example of what a liberal male would do if he was in the same position that a lot of white, conservative males are in. Unlike Officer K who kept going to work and pushed his emotions deep, deep down, Joker lashes out with unrestrained emotion. This dude even climbs into his… but I won’t spoil it! But god damn, guys – he really climbed in that thing, didn’t he?!

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The way Joker got a gun is a perfect example of this story coming from a liberal perspective. This paragraph will be a little spoilery, sorry. But Joker essentially has a gun forced on him by an alpha male who calls the ethnic kids who beat him “savages”. This is a liberal nightmare in technicolor – they don’t see gun rights as something that a person can choose to opt out of, because they don’t really understand choice. Sorry guys, but it’s true. The idea that a white bully would force someone to take a gun is top shelf liberalism, it’s something only they could imagine. It’s the same way you and your buddy don’t hold each others’ dicks while taking a piss. Your unit is yours, and his is his. But liberals tend not to believe in free will, and they think people can be converted to bad ideas without effort. That’s why they’re so big on censorship, banning, and deplatforming. That’s not a critique, that’s just the way it is.

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The fact that right off the bat we are shown that Joker is mentally ill favors my hypothesis. It’s kind of a meme at this point, but as long as you don’t get in a liberal’s face and accuse them of being mentally ill, they will readily discuss their collection of mental illnesses. Most of them are quite open about whatever it is they happen to have, whether it’s depression or anxiety or Asperger’s or ADHD or gender dysphoria or whatever. Most conservatives don’t get excited about having a mental illness, they don’t think it’s cool or interesting, in fact they tend to see it as something that should be overcome rather than something that adds spice and flavor to personality.

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Another great example of the liberal perspective is the bullies on the train – the business suit-wearing alpha males. This scene struck me as a little unrealistic, but I think it really shines a light on the liberal perspective. Years ago I lived in DC and I used the metro all the time. I was comically impoverished back then, and everything I wore was donated or bought from a thrift store. I saw lots of upwardly mobile suited types on the metro, and they never gave me any trouble. In fact, they ignored me, because they were interested in their own lives, which is understandable. The only trouble I ever got was from… well, how do I say it without getting in trouble? We’ll say “urban youths”. We all know this is how it is, but I think the liberal pain in this scene is very real. They feel a kind of visceral rejection by the world of business suit-wearing alphas, and they imagine that yacht-riding CEOs like Tai Lopez or Dan Bilzerian are laughing at them, secretly mocking them because they aren’t a part of the ultra elite .00001 percent. I used to assume that we were all laughing at elites, but these days I’m finding out that most of you guys are grinding your teeth at them, masking your envy with disdain.

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This paragraph is going to be somewhat spoilery (sorry). But just look at how badly Joker wants Thomas Wayne to be his father once he realizes the possibility is there. This whole situation makes me wonder if the basic liberal mindset is one formed by paternal neglect. We’ve all seen their irrational hatred for President Trump, a primal revulsion so over-the-top and so continual that we know it doesn’t come from rational disagreement on policies – in fact, Trump virtue signals liberal values with the best of liberals, and has done so for decades. We kind of suspect that the hatred comes from some kind of *intense* childhood trauma, because we can’t think of anything else that works on such a deep level. This makes the scene where Joker reads his mother’s file so powerfully moving (spoiler coming up, spoiler spoiler). He was a nobody, from nothing, with no father, abandoned by his mom and abused by strange men. Not going to lie, I cried!

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Of course, that makes me wonder if lefty extremists just feel unloved in general, not only abandoned by parents but perhaps abandoned by something even more profound. Maybe even abandoned by God. Do their bitchasses just need to go to church? They certainly have a visceral hatred for one religion in particular, the same one villified in Hollywood movies and on Netflix. When was the last time you heard a lefty complain about Islam or Judaism?

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I loved Joker, but of course it was always a stretch to hope that this movie would perfectly snapshot the anger of conservatives or right-wingers or groypers or trads or Chads or shitposters or volcels or incels or even the bowl cut enthusiasts or whatever the fuck you want to call the people who see patterns and aren’t NPCs waiting for the next goodthink update from the powers that be. Maybe despite his emotional instability, that’s what makes Joker our representative in this era: He sees patterns, and the thoughtpolice are afraid because they think Joker could be the spark to light the powder keg because he’s not afraid to snap. He’s not afraid to be the one to start the chaos that we all know is coming anyway.

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But who am I to say this? I’m just a guy who got shot in a movie theater. That’s right, dear readers – I’m already fuckin’ dead! As the credits rolled both exit doors popped open and several three-man shooter teams rolled up with heavy heat. “We’re a lone gunman!” they all shouted as they unloaded 5.56 ammo directly into my face. “Don’t report a three-man shooter team to the police, that really messes up the narrative! We’re just one white guy!” they repeated, as they reloaded and fired into my face again and again, spaghetti and sauce shooting from my ruined sinus cavity as heavy rounds tore through my skull. A few rounds even sliced through my guts and interacted with the refreshing diet beverage I’d been drinking just like they were Mentos, and the ensuing chemical reaction caused the Diet Garbage Juice to erupt from my bullet-riddled tubing like some kind of science experiment gone awry. My jaw shook convulsively as my teeth were pulverized and I think they imagined I was talking back, and that really pissed them off. Chunks of wet meatloaf flew from my bullet-battered skull as CIA and Mossad concentrated their firepower, living in absolute terror that their victim would not be one hundred percent on board with their dumb plans for world domination.

But it wasn’t all bad. I was just happy that Joker literally mentioned SOCIETY at the end!!!

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Alita: Battle Angel Is a Right Wing Trad Morality Play

By Kyle B. Stiff

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It’s no wonder the corporate overlords who dearly wanted us to accept Captain Marvel hated Alita so much! The story, an adaptation of a manga birthed in 1990 (practically the Reagan 80s!), shows us the dystopian hell we currently live in from the perspective of a good old-fashioned hero’s journey narrative which must be considered right wing – at least, from the modern perspective of far left extremism which has become the norm.

This one’s going to be a D*O*O*Z*I*E so please prepare yourself.

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As soon as she wakes up, it’s obvious that Alita isn’t an angry “don’t need no man” feminazi. She accepts Doctor Ido’s direction and she enjoys learning about the world she’s in. Ido, her adoptive father, represents the Patriarchy. He creates strict rules of conduct for Alita, including what she can eat and when she can leave the house. Sounds awful, right? The thing is, Doctor Ido knows the brutal truth about the world. He’s seen so many Scrapyard denizens get their heads beaten in and their limbs sold on the black market that he’s practically blackpilled and can no longer entertain any notions about the inherent goodness of humanity. But since he’s a good man with a strong spirit, knowing the truth about the world doesn’t make him bitter, it makes him generous and sympathetic to people with hard luck stories. That’s why he treats a laborer’s cyborg arm for nothing but a bag of oranges. He’s like a country doctor from the Norman Rockwell era. Of course, from the modern liberal perspective, he’s problematic (if not a Nazi) for not letting Alita live life on her terms. (Remember, from the left’s perspective, old is bad and stale, young is fresh and progressive.)

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But Alita is a strong-willed lady, and eventually she’s no longer satisfied with being Ido’s “precious little girl”. The conflict between them is interesting because Ido doesn’t understand that Alita has the sort of warrior spirit that can handle the harsh truth about the world. In fact, she was made to fight. Ido could keep chipping away at the evil that lurks in the shadows, but in the end, he’s never going to get anywhere. Why is that?

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It’s because – and write this down if you don’t know it already – men are capable of existing on the fringes, but women are the gatekeepers of the mainstream. Men can spin their wheels perfecting arguments for whatever they’re into, but without women, no movement will ever go anywhere. In terms of the contemporary culture warfare, conservative men can shitpost about liberal meltdowns and diversity malfunctions all day long, but until women start posting trad selfies on Instagram and writing blog posts about church picnics and advice for keeping anal fisting vids off of a child’s smartphone, you’re never going to hold your civilization together against endless hordes of indoctrinated diversity cultists and professors who hate their own nation. So even though it seems like a bad idea to let Alita see the truth, Ido has to trust that he’s not alone in his fight against lawlessness.

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There’s a plot point that could almost be its own story arc within an anti-feminist narrative that begins when Alita finds out women are being targeted by a serial killer. This is her bluepill moment – “Never trust men.” Then she finds out Doctor Ido goes out late at night, and comes home wounded – “Don’t even trust your own father!” Alita follows Ido and sees him stalking a woman – “A helpless victim!” Alita stops Ido from killing her – then Alita nearly chokes to death on a melon-sized redpill when she finds out the “helpless victim” is actually a member of a gang of murderers targeting Ido because they’re sick of him taking down criminals. Alita ends up in a vicious battle against a sickle-wielding, man-hating fembot, and even defends her own father. The analogy of zoomer ladies waking up to the feminist narrative kind of writes itself, it’s so obvious. It’s also worth noting that the fembot’s sickle echoes the sickle of the angel of death, the grim reaper, and the dark god Saturn worshipped by the elites, as well as the hammer and sickle of Communism, as well as the crescent of Islam. Hmm… that’s weird, it’s almost like symbols reveal truth, and our arch-nemesis always carries a sickle.

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Alita demolishes her opponents and saves Ido. So while Alita is a strong female, and it might seem weird that this movie wasn’t pushed by the left, just remember that it isn’t really “strong females” that feminists or lefties want to see in film. They want to see women beating the shit out of men (who are all rapists) while wearing sunglasses and showing no emotion except cold fury. Alita is far too warm-hearted to exist within a feminist framework. She likes her neighborhood and her dad and eating food for the first time. She’s emotionally stable rather than broken or dead inside. When compared to Captain Marvel’s “Karen who wants to speak to the manager” personality, it’s night and day. This story comes from a bygone era, continuing sci-fi’s long tradition of showing strong females, but without the gender studies course in victimization.

In fact, near the end of the film when Alita’s problems are piling on top of her, Ido tells her, “Never feel sorry for yourself.”

Talk about anti-feminist! Um, isn’t, like, figuring out how you’re a victim kind of the whole point?!

 

THE SAD TALE OF HUGO

Now we’ve got to talk about Hugo. Hugo may seem like a Chad who’s smooth with the ladies and knows all the cool joints, but the key to understanding him is knowing that he has ingested a toxic dose of bluepills. His sad fate is imminent and unavoidable. His character is perfectly laid out in the scene in which he takes Alita on top of a building. “Look at that view,” he says. Alita looks out over the entire Scrapyard, which is a total dump, really, but she says, “Wow! Really cool!” Hugo then corrects her by saying, “No, look. THAT view,” then points out Zalem (I think that’s what it was called in the film version). Zalem is a floating city where the unseen rulers of the Scrapyard dwell. It’s assumed that they live lives of ease and plenty, far above the petty squabbles of the earth. Hugo desperately wants a new life in the floating city, whereas Alita is capable of seeing the mess of the real world and accepting it as it is.

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Hugo wants a better life, but one of life’s most important lessons is that there is no such thing as a “better life”. Accepting the world as it is, even though it’s imperfect, is the essence of what is called the redpill. History has shown us time and again that you can never “immanentize the eschaton” or create heaven on earth, as it always ends in misery and death. Historical examples include every Communist revolution.

Hugo’s state of mind is the unfortunate result of liberal indoctrination. “You going to live by his rules, or yours?” he asks Alita, challenging her to throw off Ido’s shackles and live in a state of absolute (and unrealistic) freedom. Also look at his scrimmage sportsball game in which men and women play together. His game results in men constantly dunking on women, yet he is somehow oblivious to this frequent occurrence. Perhaps he believes that all men and women are interchangeable athletic units that can be mixed and matched without limit?

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Hugo is the ubiquitous lefty “useful idiot” you see so often defending the very people who want to enslave or even kill him – which would be Vector in this story. Vector is the liberal elite handing out dreams of a better world as he works toward monopolizing all wealth under his control. Vector is the reason “useful idiots” ends up scratching their head when every Communist revolution results in brutal dictatorships where wealth is controlled by those at the very top while those at the middle and bottom get to live in a police state or in death camps that will later be hidden by mainstream media and lefty academia.

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However – Hugo is not a bad person! This is very, very important to understand. Conservatives spend way too much time arguing with liberals who are notorious for being unable to defend their views outside of the academic bubble. Twitter and YouTube are great examples of mainstream liberals backed by corporate powers pushing goofball opinions, only to be mocked ruthlessly by right-wingers and even just unindoctrinated moderates, who then have to be censored or de-platformed in order to stop any counterargument. It’s easy to get angry with the powers-that-be, but in some sense it’s intensely cruel to argue with liberals who actually need to be protected, not beaten. They’re not the enemy. In fact, like Hugo, they never had a chance!

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It’s interesting to note that when Hugo is being hunted, he runs to a church. Hugo runs to the thing that represents shelter, sanctuary… actually the pillar of civilization (sorry atheists, it’s true, even if the turbodweebs in lab coats disagree). Once Hugo is in church, he’s no longer the strutting “ehhhh who makin da rules aroun here” tough guy, but a remorseful, lost soul who finally realizes he is imperfect – that is, sinful. He stops telling himself a bullshit story about how great everything is going to be (at least for now) and is finally honest about what he really is. And since Alita doesn’t live inside a manufactured bubble, but is in touch with the harsh nature of reality, she is able to accept him as he is.

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Now, this may be a stretch (as if the rest of this piece isn’t a stretch), but when Zapan puts Alita in a situation in which she has to kill Hugo, it’s a perfect example of conservatives letting themselves be controlled by corporate interests. Zapan fools her into doing the equivalent of directing her anger at indoctrinated liberals rather than globalist corporations and international players who hate independent nations (especially America). Of course nobody except the people at the very top give a damn about the GDP, but modern American conservatives have found themselves in the odd situation in which they support giant corporations – and guess what, those giant corporations support open borders, importing cheap foreign labor, even abortions on a mass scale for the selling of organs and tissue. It’s always odd to see conservatives fighting for corporate rights, but then again, maybe it’s not that odd because I guess I used to be one of those guys. In this scene, Zapan is nothing but a corporate whore. He’s a narcissist (“My face!”) who doesn’t give a damn about anyone’s life, but he has Alita in a moral bind; he perverts her natural aggression, which should be directed at true evil, by directing it at poor dumb Hugo.

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But once they get Hugo under control (sort of), Doctor Ido once again writes a prescription for redpills. He says, “Vector was running a scam. If you’re born on the ground, you stay on the ground.” Turns out there’s no way out of the Scrapyard (the real world). In terms of our world, Doctor Ido is saying that instead of dreaming of a world in which you kill the rich and plunder their money, and whooooops also destroy your own nation in the process, it’s better to live a good life, take care of your family, stay connected to your people, and protect your borders. Be careful of stupid ideologies that make you hate yourself or your nation, no matter who is selling the ideology.

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I don’t want to dwell on Hugo’s fate, but he definitely experiences a post-Presidential election meltdown when he’s walking along the supply tube. It’s important to note that he was given a robot body because his head was disconnected from his body – meaning he was too much in his own head, and was fatally disconnected from reality. Such a shame! It’s really a grim reminder that instead of sitting back and laughing at these people on social media, we actually need to save them from the mind virus that makes them worship Zalem rather than connect with the Scrapyard of reality.

Ah, before I end my rant on Hugo, I have to point out the funniest part of the movie. One of the girls in Hugo’s crew asks her friend why he doesn’t like Alita. He says that she was a member of URM, a wielder of the deadly Panzer Kunst… basically a Martian space Nazi! In fact, wasn’t she sent to kill them?!? The girl’s redpilled response?

“Yeah, like three hundred years ago. Get over it!”

Imagine… a Hollywood film actually ridiculing the left’s eternal boogeyman, which they think is still out there, just waiting for the opportunity to get them!

 

THE HUNTER-WARRIORS

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“Before the Fall, there were police to stop criminals. Now the Factory pays us to do the dirty work.” Ido reveals the truth about the lawlessness thriving in the Scrapyard. This is the logical conclusion of the anti-police narrative that we are bombarded with daily: Mercenary thugs without any moral compunction are brought in and paid to stomp anything that doesn’t benefit the corporate overlords. Remember, the anti-police narrative doesn’t come out of a vacuum; it’s packaged for your consumption with an end goal in mind. Eventually a powerful corporation will step in with its own solution, and a population of bugmen will support it because they don’t understand the brutal reality of the streets and the necessity of violence.

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Note that in the Scrapyard, guns are illegal. In a lefty sci-fi story, making guns illegal would result in a utopian Star Trek future. In our right wing Alita tale, firearm monopolization creates an environment in which the strong prey on the weak with impunity. This is of course common sense to anyone who hasn’t been indoctrinated. Guns aren’t targeted by the elite because they want to reduce crime, they’re targeted because a corrupt ruling class always fears an uprising. In Alita’s world, Zapan and the other super-powered cyborgs who serve corporate interests use hand-to-hand weapons. Remember, only the strong can use hand-to-hand weapons. They aren’t for people like you – peasants and common laborers. Guns are divine tools of holy empowerment that even the weak can use to defend themselves. From that perspective, why in the world would bad guys want you to have them?

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There’s an interesting and sad scene where Alita tries to unite the hunter-warriors against a common foe. In the past, hunter-warrior types would have been drawn into the military and turned into team-players fighting on behalf of their nation, but in the dystopian Scrapyard, these rough guardians have become corporate whores who won’t do anything unless there’s money involved. There’s no unity, as they’ve been atomized. They are essentially “rugged individualists” disconnected from their own people. One could make the argument that they’re analogous to modern Republicans – they’re tough and their genes are functional, they’re natural survivors, but at the end of the day they serve Israel rather than their own community.

 

DOCTOR NOVA AND THE CULT OF THE WATCHERS

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For anyone who isn’t completely oblivious, there’s a blackmail cult running the human farm we live in, and one of its main symbols is an eye inside a pyramid. You see it all the time in movies and music videos, and it pops up more frequently every day. The arrest of Epstein, the fall of NXIVM, and all the “pizza” enthusiasts cleaning up their Twitter profiles and pushing the big tech left to squash pizza-related conversations on YouTube only makes it more and more obvious, but still, I guess at this point you either see it or you don’t. There’s a chunk of our Alita story that focuses on this, so if this next segment stretches your credulity, let’s just say that *some people* believe in this conspiracy, therefore, it has at least some symbolic merit.

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The villain behind all villains is Doctor Nova. Ido calls Nova “the watcher behind the eyes.” This is of course a direct reference to the all-seeing eye of the ancient death cult that has the world in its grip, and no, I’m not referring to the movie. Only conservatives tend to see this stuff, so it’s appropriate that our right-leaning tale has the all-seeing Eye omnipresent in the background. (The same goes for Lord of the Rings, another right wing tale which features the Eye of Sauron.) Note that Doctor Nova is capable of “possessing” those who have submitted to him, which is a direct reference to demonic or spiritual possession.

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Did you notice that even Alita wears a t-shirt with a triangle that has another tiny, off-center triangle inside of it? This could be a reference to the swirl or hypnotic spiral inside of a triangle, used by pedophiles and pizza enthusiasts to signal to one another (according to the FBI), or the shape could be construed as an eye within a pyramid, or it could be both. It may seem strange that our good-hearted hero Alita would wear a shirt like this, but note that she wears it when she’s listening to Hugo talk about his delusional dreams of getting into a better world. Hugo is effectively hypnotizing Alita and, since our story is right wing, that means it operates from the perspective that *no one is without sin*. This scene shows that anyone can be fooled by the ancient death cult before they wake up – even a hero!

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Vector, a figurehead of both the Factory and the black market, serves Doctor Nova, but Chiren, Ido’s ex-wife and former citizen of Zalem, also serves him. She has an interesting story arc. Vector tempts Chiren with a vision of a perfect world, and all she has to do in return is create monsters. She’s desperate to return to Zalem, so she submits. She later grows a conscience and lets Alita live, and when Vector (or Nova) asks her why, she says, “Because I’m a doctor (meaning: she preserves life), and a mother. Somehow I forgot that.” Remembering is the key to unraveling the lies of greedy psychopaths like Vector who serve Doctor Nova, because they always want you to forget who you are. Vector tries one more time to draw her into the dream of a better world, and she says, “What I want… it isn’t up there.” BAM! Just like that, she gives up on the foolish dream of a world without pain and struggle. This is the thing that all Commies struggle with. They just can’t seem to wrap their heads around the fact that you can’t make heaven on earth without hurting a lot of people. You can only try your best to live a good and moral life within the confines of reality (which is the Scrapyard in our tale).

 

ALITA’S STRENGTH COMES FROM THE PAST, NOT THE FUTURE

Alita has a special heart enhanced by technology from a bygone era, making it strong enough to power an entire city, according to Doctor Ido. Such technology can no longer be duplicated. Alita’s heart is strong because it was made before the Fall, that is, before corporate powers and the cult of diversity took over and turned civilization into a third-world shithole. What this means is that Alita’s strength comes from the past, from her history, which is the thing that right-wingers are so obsessed with discovering, and that left-wing types hate.

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It’s the difference between trying to remember or preserve history versus constructing history as you want it. Not only does Alita discover the Berserker body (the weapon of her people) inside a forgotten ship, but eventually she even retrieves her true self from the past. That is, of course, the only way to discover your true self: Not by daydreaming about a perfect self fit for a utopian future, but by taking an honest look at the path that formed you, warts and all. Culturally, understanding doesn’t come from tearing down statues and historical landmarks, but from studying why and how those landmarks were made – and not necessarily from the judgmental perspective of assumed superiority.

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But, back to Alita’s heart, and Ido’s assertion that it could provide power for the entire city. This means that as long as a person’s emotional center is in the right place, then they can uphold the foundation of civilization. Just as culture is made up of symbols, civilization is made up of its people’s emotional balance. If that emotional center is destroyed, then your people are fragmented, and you’re left with bugmen who can be manipulated, made to hate themselves, and made to hate their nation or even civilization in general. Just think back to how many indoctrinated people you’ve heard say they wish civilization would fall so that “something better can come out of it.” I’ve heard this from many people, which is odd, because when you take a look at history, “something better” doesn’t come out of the ruins of fallen civilizations.

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Also note how head-oriented Doctor Nova is. After Doctor Ido points out the remarkable power of Alita’s heart, the scene is immediately followed by one in which Doctor Nova says that Alita’s power is in her mind. Of course it’s a common position to stand in awe of the human mind, and this comes from both the right and the left, but ultimately I think Ido is right. A mind can be tricked, deluded, even indoctrinated. Emotions simply are, and nations rise or fall depending on their emotional centers. Also note the pride liberals feel regarding their academic degrees – it’s all head-oriented.

Regarding history, the basic left/right split is: Either turn the world into what you want it to be (the left) versus seeing the bitter truths about the world and accepting things as they are (the right). The left’s focus on turning the world into what they want it to be is why they talk about “progress” and frequently mention the “current year” as if they are on a timetable, and they expect cultural changes to stay on schedule. The right’s focus on seeing things as they are, including the flaws in human nature, is why they often mention taking the “redpill” and calling people “sheeple” for not waking up to reality, and why they obsess over untangling the threads of history to understand the modern era. 

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CONCLUSION

Alita: Battle Angel is a breath of fresh air after the past few years of Hollywood force-feeding us a lefty stew of Things We Must Believe, including superhuman Karens who will curb stomp any man who dares stand between her and the manager. But this film isn’t perfect. Other than the main characters, the costume design is freaking awful. There are people dressed up like you or me walking around in the Scrapyard five hundred years from now. How is that possible? Unfortunately we may see more “budget” costume design as Hollywood is forced to tighten its belt. People aren’t going to the movies anymore, so the trend of making movies bigger and bolder with each passing year may be at an end. Of course, Hollywood could turn the money-printing machine back on any time they want, but they would have to give up on the weird lefty shit that they’re obsessed with. And that’s not going to happen!

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And keep in mind, all of the right-leaning stuff in this film is completely accidental. I guarantee you that everyone on set considered suicide on the fateful night of the presidential election. Even though the Scrapyard is a dump of violent diversity, where people would inevitably form ethnic enclaves that don’t communicate with one another except through force, the Alita movie tries to show people smiling and enjoying themselves. Even though the story is inherently right wing, it was still made within the milieu of left wing Hollywood where forced diversity is worshipped and entire civilizations are gleefully sacrificed on the altar of progress *just because*.

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Even though Alita: Battle Angel has taken heat because it has actual fans (rather than the fans and reviews manufactured for the benefit of Captain Marvel), it’s interesting to note that Blade Runner 2049 was way more right-leaning (again, most likely by accident) and yet it hasn’t been targeted by the thoughtpolice. Rather than a multicultural dump filled with smiling faces, Blade Runner 2049 (jokingly referred to as Pol: The Movie) depicted a world in which a social outcast straight white male was heckled as he made his way through a gauntlet of diversity. He worked to uphold civilization and was hated for it. His wife was so trad, she wasn’t even real. He obsessively pieced together his past, often looking like a complete conspiracy nut. He even got into a testosterone-fueled fist-fight with his “dad”!

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Still, mainstream media hasn’t done any hit pieces on Blade Runner 2049’s right-leaning narrative because it wasn’t released at the same time as Captain Marvel, thus it did not challenge the diversity narrative by getting in the way of its revenue.

 

BONUS MATERIAL: ONE LAST WILD IDEA

Actually, I’ve remained level-headed throughout this piece (right?), but I just had a wild idea that may or may not be true. I want to throw it out there just to see if I can get a reaction. The idea is: All stories about time travel are inherently left-leaning (because you’re editing the past in order to control the future), and all stories about amnesia are inherently right-leaning (because you’re piecing together historical truth, identity, and even the threads of a conspiracy theory).

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Star Trek and Harry Potter, both extremely lefty, contain plenty of time travel. I wouldn’t have thought that Back to the Future was lefty until recently, when I went back to watch the second one, and was shocked to see Biff Tannen as a stand-in for President Trump turning America into some kind of gun-slinging warzone where a teacher is hunted like an animal – a liberal fever dream based on histrionic fear of authority.

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As for conservative stories of amnesia, other than Alita, off the top of my head there’s Memento, about a man’s quest for revenge against the person who destroyed his family (which includes crime, family, conspiracy, and bloody justice – all right-leaning themes), and he has to face the awful truth about himself (he is flawed, which is also a very conservative theme). There’s Silent Hill 2, a video game about a man trying to put his family back together and has to come to terms with the fact that he destroyed his own family (history, family, the bitter truth – all conservative themes). There’s also Robocop, about a family man and normal-cop who becomes a robo-cop after he is killed and resurrected (!!!) and puts together the pieces of his past by blowing away criminals. The story isn’t friendly to the free market, but then again, not every conservative is a corporate whore.

Am I completely crazy with this idea? I can’t think of any story that destroys the pattern!

Left and Right Working Together?

I was watching Daredevil last night and I had this idea about politics, and it’s not super well-thought out but I thought I’d run it by you guys. The idea is that conservatives and liberals both have their own spheres of expertise, and arguments happen when they overstep their boundaries and get in each other’s way. I had this idea of nations (or even villages or whatever) as a soft center with a hard defensive ring around it.

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A liberal’s sphere would be the soft center. The liberal makes sure the village (or whatever) is nice to be in. Everybody has a good time, life isn’t extremely unfair, people have rights, there’s public works and projects you can put money into, artists get looked after, the old and the weak are taken care of, stuff like that. A conservative’s sphere would be the hard outer ring, and their job would be to defend the soft center. Being hardasses, sending out warnings to outsiders who get too close, making judgment calls on who should be killed or detained, deciding how raids should be carried out, questioning ideas or plans made by people outside the ring who want to come inside the ring, enforcing rules with the right amount of severity so that the group is protected, that would be their area.

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Both groups are perfectly suited for their areas, and totally unsuited for the other’s area. A liberal working in the outer defensive ring would let their empathy run away with them and let outsiders do what they want to the outer ring, thus endangering the entire village. A conservative who dicks around in the soft center would start trying to “lay down the law” on shit he has no idea about, like reproductive systems, Dungeons and Dragons, who’s bangin’ who in an unorthodox manner, what music people can listen to, and pretty soon the soft center would become hellish and unfit to live in.

I think this might be a good system because no one “side” has to beat the other “side”. As it is now, liberals and conservatives are in a desperate deathmatch, but it’s like an MMA fighter against a WWF wrestler in a rap battle. They’re thinking and acting using completely different sets of rules because they see the world in completely different ways. No side can ever “beat” the other side; the only thing they can do is ramp up the intensity of the argument and make things uncomfortable for someone like me. Of course, in order for an idea like this to work, people with opposing views (actually, opposing brain types, I think) would have to be able to chill out and see the value of the opposing side. That doesn’t mean you have to “give in” to the other side, you don’t even have to agree that they might be right, you just have to see their potential value to the tribe.

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Like I was saying, I was watching Daredevil (beginning of season 2 so, SPOILER ALERT and also DON’T SPOIL IT FOR ME) and saw the incredible second battle between Daredevil and the Punisher which is followed by a great argument that made me extremely uncomfortable but was so inspiring. Of course the whole thing is Daredevil’s “don’t kill people” philosophy versus Punisher’s “kill bad people so they don’t kill good people” philosophy. Punisher said something incredibly insightful: “You don’t get to pick what makes you whole.” Bam! Right there. It doesn’t matter how much Daredevil argues with him, or how sane and rational he thinks he is, in the end, the Punisher is made for living in the outer defensive ring of the village. He won’t feel alive unless he knows he’s protecting the soft center though incredible acts of unbelievable violence. The series does a great job of showing how disturbing the Punisher’s life is, with crime scene photos of mutilated bodies covered in gore, which is also counterbalanced by seeing criminals running and hiding and fearing for their life (loved seeing that one guy shit his pants when he realized the Punisher really was going to walk into a hospital with a shotgun and blast him – there was nowhere he could hide).

Daredevil made some good arguments too, though – as long as you live in the soft center. There is always good in people, and you have to trust your species and see the good in them. Everyone deserves a chance. Of course, his argument is a little awkward, because he’s fighting crime but not killing anyone, which only makes sense if you have superpowers (most people don’t), and doesn’t really work on the outer defensive ring.

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Oh yeah, I also thought this might be a good system to work within just in case of alien invasion, which I think is inevitable. And yes I mean the UFOs from Mars variety (“They said alien and Vasquez thought they said illegal alien…”). It would be better if our different brain types (in this case, liberal and conservative) each knew their appropriate area so that we could work better together against alien invasion, rather than let aliens play both sides against the other while they divide our resources among themselves. I see people having meltdowns now, but in the future, every living person will live deep underground and they’ll look at old photos of us strutting around on the surface of the planet, and while they work on assembly lines to make laser rifles and mini-nukes they will wish that they could have lived in our time – yes, the very time that everyone is currently complaining about. They will wonder what everyone was bitching and moaning about because they will be worried about creatures burrowing down from the surface and possibly attacking one of the child care centers, which is the worst possible scenario for any underground bunker city.